John Williams Changes

British multireed player John Surman has enjoyed a long career, making significant marks in free jazz, modal, and fusion, and also developing his own distinctive blend of folk and jazz elements. His ability to bridge styles has even extended to 1999's treatment of Renaissance-era composer John Dowland's songs, In Darkness Let Me Dwell with the Hilliard Ensemble's John Potter. Coruscating is another unusual venture, with Surman and regular associate bassist Chris Laurence improvising on eight of Surman's compositions with the string quartet Trans4mation. There's a seamless beauty here, composition and improvisation becoming one. Beginning with the baroque clarity of melody on "At Dusk," Coruscating develops often dark, looming textures. While Surman has made his baritone fly, here he emphasizes intense lyricism, whether with a true, full-bodied, baritone sound or a light upper register. "Stone Flower" is dedicated to the great Ellington baritonist Harry Carney, and Surman's breathy, overtone-rich sound invokes Carney's own recordings with strings.

Most of the musicians heard on this fourth installment in the Classics Mary Lou Williams chronology are women. During the second half of the 1940s, this was considered unusual and innovative. Female musicians, with the exception of carefully coiffed vocalists and the occasional pianist, were generally regarded by the public, by the entertainment industry, and by most male musicians as curious anomalies and were not taken very seriously. Mary Lou Williams always preferred to surround herself with musical minds possessing artistic acumen commensurate with her own highly developed musical intellect. The first four tracks were recorded for the Continental label in 1945 with guitarist Mary Osborne, bassist Bea Taylor, and percussionists Margie Hyams and Bridget O'Flynn, a fascinating duo who took turns either handling the vibraphone or the drums…

Sky is the debut album by the supergroup Sky, released in 1979. Formed in 1979 as a direct result of classical guitarist John Williams' 1971 Changes album in which he ventured into soft rock for the first time, Sky was an attempt to meld the worlds of classical music and rock instrumentals, with results that echoed the U.S.-based work of composer Chip Davis with his Fresh Aire projects. In 1971, Williams recorded Changes with the intent of displaying his classical guitar prowess in the context of soft rock arrangements. Amongst the session players on the album were bassist Herbie Flowers (then with Blue Mink), keyboardist Francis Monkman (then working with Curved Air), and drummer Tristan Fry, who was doing session work in addition to working as a percussionist with the Royal Philharmonic Orchestra and the Academy of St. Martin-in-the Fields.