Although Johnny "Guitar" Watson had already recorded some sides for Federal (including the astonishing instrumental "Space Guitar"), the majority of those tunes featured the piano-playing Young John Watson. It was when he began recording for the Bihari Brothers' RPM subsidiary of Modern Records that he "became" Johnny "Guitar" Watson and his amazing legacy really began. The songs are solid West Coast blues, but they're brought to the next level by Watson's impassioned vocals and his incredible biting, staccato guitar solos. Watson's tenure at RPM was short-lived (as were most of his label relationships) and all these tracks were recorded in 1955, but they were wildly influential on a number of great guitarists and still hold their power 50 years down the road…
From 1974 through 1980, Johnny "Guitar" Watson was on a tear no one, including George Clinton or Bootsy Collins, could equal. While the P-Funk machine began to run out of steam by 1978 - with the exception of the Brides of Funkenstein - Watson kept churning out the weird, kinky funk well into the era of Rick James. Love Jones, his last fine record for quite awhile, had all the trademarks in place: the choppy, heavily reverbed and wah-wahed guitar that had made Watson a blues sensation, the sci-fi keyboards, the handclap that Nile Rogers and Bernard Edwards ripped off for Chic, the expandable horn section that intertwined with the guitar riffs, and the punched up basic basslines that kept the funk a simple but ultimately moving thing.
It all kinda came together on this 1977 LP: the ferocious funk Johnny had gotten into plus the blistering blues chops he'd always had. Includes Johnny's R&B hit Love That Will Not Die.
Johnny's smokin' R&B sound continued to funkify (and dip into those Chic-like disco jams) on this 1978 LP. His new version of Gangster of Love went R&B Top 40; here's the complete release plus the unissued bonus cuts Base Station One and Do Me Bad So Good !
Veteran photographer Brian Smith has good reason to remember the night of 3 April 1965 that R&B legend Johnny “Guitar”’ Watson played Manchester’s Twisted Wheel club, with sidekick- Larry Williams, “It was the first time I took out my wife [39 years married, last June] - though I still stuck to the job in hand and buggered off to the ‘Wheel All-Nighter’ after I had put her on the bus home. I got a few decent black and whites on at Twisted Wheel, and then a couple at the Princess Club, same week: on stage, and some posed too.”
The disco period in Johnny "Guitar" Watson's catalog was spotty at best. You I first heard Johnny while stationed in Australia, of all places. Luckily, we had a D.J. who was really up on his music - especially Funk and Soul. As soon as I heard Mr. Watson coming from the speakers, I just HAD to know who was making that driving, funky sound. I had to wait for the next supply ship to make it to our "out-in-the-bush-on-the-edge-of-the-world" Naval base (about two months) before I got my own copy of this album, but it was worth the wait. Between Rick James, Parliament, and Johnny "Guitar" Watson, it is a toss-up as to who is the funkiest. But, while the music is great, it is only half of the goods. Johnny's lyrics are the other half, and they are witty, funny, sometimes a social commentary (even then they are still funny and witty).