Johnny Hammond ‎– The Prophet

Some tracks include The Prophet, Witchy Woman. Stand Behind Me plus more! Organist. He is also known as Johnny "Hammond" Smith to distinguish him from the more famous record producer, executive, and critic and/or his son.

‘Blues for Gary’ will be released on Cable Car Records on April 4, 2017. As you maybe know, Henrik Freischlader wouldn’t be making music today if it hadn’t been for Gary Moore. Together with his long-term band members, Pete Rees on the bass & Vic Martin on the Hammond organ, as well as Moritz Meinschäfer on the drums, the upcoming shows in April will be a ‘Blues for Gary’ tour.

Leaping twenty feet forward, this extraordinarily diverse collection of tunes captures the full range of keyboardist Bobby Sparks’ expansive vocabulary and inexhaustible spirit.

“The definitive anthology of the company that helped bring reggae and dancehall to the US and beyond.” Down In Jamaica: 40 Years of VP Records is a 94-track, deluxe, multi-format box set with 24 page booklet and art cards detailing the hits, the rarities, and the history of the world's largest reggae label. Featuring 101 different artists, Down In Jamaica tells this story in detail through a chronological survey of the key songs that helped define the company from early singles on obscure sublabels to the well-known VP Records brand that brought Beenie Man, Sean Paul, Wayne Wonder, and others into the international mainstream.

Originally a record store specializing in reggae, Greensleeves Records was one of the most prestigious record companies in the independent music industry in London, and a music publisher for artists and producers of Jamaican music in Europe. For the 40th anniversary of the "Total Reggae" series, a representative selection of high-quality recordings of classics, hits and rarities was compiled in chronological order. The range ranges from the finest UK reggae of the founding years, Jamaican Roots, Dub and the Deejays of the early Dancehall reggae with the heavy-weight sounds of the Roots Radics, about the end of the 70s to early 80s, over the pioneering development of the digital reggae In 1985, with ever-growing genre boundaries and the most commercially successful phase of the 90s and Nuller years, with the subgenres Hardcore Ragga, Dancehall / Bashment and Modern Roots.