Jonh Von Neuman

The soon-to-be Jovem Guarda idol Ronnie Von, still as Ronaldo Nogueira, had just graduated in 1969 in economics and pilotage, but wanted to be a singer instead. After becoming acquainted with the members of the Brazilian Bitles, he impressed the group in an audition and the very next week the revelation was featured on their exclusive show on TV Excelsior's Brazilian Bitles Club…

This 2009 live performance by German-based chamber ensemble Musica Saeculorum under the direction of Philipp von Steinaecker is a pure, polished recording; sharply defined and alternately musical and muscular in it's sensibility. Despite their German origin, this is a English language performance, with nary a hint of accent detectable; indeed, this is a sparkling performance from all involved, with crisp diction, razor-sharp attacks and both the orchestral and choral forces moving as one. Tenor Daniel Johannsen is electrifying in his solos, with crystal-clear singing and a heroic tone. Bass Dominik Wörner is similarly potent in his arias, bringing high drama and technique to his arias.

Writing about Bach's six sonatas and partitas for solo violin often focuses on the nature of the music: Are the pieces humanistic in tone? Do they reflect deep spiritual-numerological concerns? But the first thing the average listener is likely to notice about them is their sheer difficulty: their monumental quality comes in part from the fact that, as with Beethoven's Ninth Symphony, the musicians are struggling to re-create the music. That's partly the result of playing the music on a violin that wasn't built for it, and although there are plenty of recordings on a Baroque violin there are fewer players who have the means to deliver the music cleanly and confidently on one.

The pianist, two days in the studio, alone at the piano. A retreat in Zurich. Focus is on the now, the recording is running. Preparation time for the new compositions: about a year. Getting attuned to the music: a lifetime. Alexander von Schlippenbach, Slow Pieces For Aki, the emphasis being on the word “slow,” not on rediscovering slowness but discovering slowness anew - dedicated to his wife Aki Takase. with slow pieces, short pieces, compositions in which every single note demands the highest degree of attention, virtuosity shifts from the purely technical to the actual notes themselves, avoiding all irrel - evancies. Sounds that are able to glow in the dark and form themselves into star signs. it is not only Jazz and new Music that appear from far away, but also classical and romantic music, always reflected by the personality, the life and playing experience of Alexander von Schlippenbach. From my subjective point of view, dare i suggest, there is a certain serious lyricism. Slow, full of passion and filled with dedication to the music.

The fantastic cooperation between Harald Blüchel (Cosmic Baby) and the Schiller mastermind, Christopher Von Deylen. Their take on the set of classical selections is comparable to that or William Orbit's Pieces in a Modern Style, although they have that Cosmic and Schiller feel.

“Ponnelle's film of his La Scala staging is so imaginative and musically refined that it triumphs over the dubbing. Von Stade is an achingly beautiful Cinderella, Araiza a romantic Prince.” BBC Music Magazine