In 1970 the Isle of Wight Festival was one of the largest musical events of its time. Bigger than Woodstock, and controversial from the get-go, hundreds of thousands of people descended on the island. Many of those without tickets set up camp on a hill overlooking the festival site, opposing the consumerism of the event and intent on taking the music back by any means necessary. It was a celebration of hippy counter culture gone awry, and in Joni's words "they fed me to the beast". Joni Mitchell took to the stage to deliver an outstanding performance against all odds…
The third in Joni Mitchell's ongoing series of thematic compilations drawn from her stellar back catalog, Songs of a Prairie Girl is described by Mitchell in her liner notes as "my contribution to Saskatchewan's Centennial celebrations," an appropriate gesture since she spent most of her childhood in Saskatoon, a city in that Canadian province.
Sara Colman, the acclaimed UK singer, songwriter and composer, releases Ink On A Pin, her new album celebrating the music of Joni Mitchell, with striking new arrangements and poignant re-workings of seven songs from one of her most significant influences. Following her much-admired 2018 release, What We're Made Of, noted by American critic Ted Gioia as 'worthy of your attention', Colman's latest project amplifles her inventiveness and versatility, as she weaves elements of folk, Americana and jazz into expressive new arrangements of iconic songs drawn from Mitchell's celebrated catalogue. Inspired by her love of classic songwriting and instinctive improvisational energy, Mitchell's work has long had a profound impact on Colman. "My awareness of Joni's unfailing ability to write songs that are uniquely personal and yet universal has deepened as I discover more about what inspired her to write them, as they have inspired countless jazz musicians before me. Often with Joni, in writing about something in her life, she seems to encapsulate the very thing that you yourself are experiencing. Genius."