Winner of the 2016 Prix Django Reinhardt from the Académie du Jazz and nominated for the Victoires de la Musique Jazz award in 2018, the pianist Fred Nardin, who plays with, among others, the Amazing Keystone Big Band and Cécile McLorin Salvant, is one of the great revelations of French Jazz in recent years. The trio’s new album, released in March 2019 on the label Naïve, with Or Bareket and Leon Parker, is proof that high-quality jazz can reach a wide audience, from simple amateurs to the most expert connoisseurs.
Trio Sonnerie have chosen five of the 14 sonatas by Buxtehude from the 1690s to demonstrate their considerable fluency and rapport. These are witty and elegant works, finely crafted and requiring the skills of virtuoso players. Monica Huggett and Sarah Cunningham capture their essence with happily chosen and neatly articulated tempos—the vivace movements are effortlessly played—and beautifully transparent textures. Mitzi Meyerson provides a stylish and secure accompaniment, particularly in the G major Largo and the B flat major Vivace (which is, in fact, a chaconne).
The sessions to the new Helge Lien Trio album were not supposed to be special. And yet, they could never be business as usual. After the departure of founding member Frode Berg, the group were ''at a crossroads,'' says Lien, and in need of a fresh start. They found it by leaving their comfort zone: For the first time in 15 years, they did not record at the Rainbow studio in Oslo. The change of location turned out to be productive. In the end, the musicians had two full records' worth of material - and none of it fit the glove of a conventional trio recording.
Rarely do we feel the presence of Bach so vividly on a recording as we do here with this set of Trio Sonata arrangements, performed by violins, viola da gamba, and harpsichord. What a perfect combination, thanks to Richard Boothby's settings and to the wonderfully synergistic interaction among these very experienced early music players–violinists Catherine Mackintosh (in her best recorded performance in a while) and Catherine Weiss, gambist Boothby, and harpsichordist Robert Woolley.
Haydn’s star towers over the firmament of classical music – that of a creative genius whose boundless imagination continues to shine brightly in our own day. For their first recording, the Trio Ernest have brought together pieces that they have come across in the orbit of this composer so dear to them.
The Piano Trio in B-flat major, Op. 97, by Ludwig van Beethoven is a piano trio completed in 1811. It is commonly referred to as the Archduke Trio, because it was dedicated to Archduke Rudolph of Austria, the youngest of twelve children of Leopold II, Holy Roman Emperor. Rudolf was an amateur pianist and a patron, friend, and composition student of Beethoven. Beethoven dedicated about a dozen compositions to him.
The Neave Trio’s programme Rooted features a range of works based on folk music. Smetana’s distinctive nationalistic style was largely based on the inclusion of bohemian rhythmic and melodic elements, and he was acclaimed in his native Bohemia as the father of Czech music. His Trio in G minor was composed in 1855 as a response to the death of his four-year old daughter and shows the influence of Liszt.