Joostvd Art Decoy The Bluebeard Boy [2012] (lite Version)

As part of Columbia/Legacy's ongoing celebration of Johnny Cash's 80th birthday in 2012, the label assembled a series of compilations under the rubric "The Greatest." This 19-track collection covers ground so obvious that it's a wonder there hasn't been a similar compilation before: it showcases Cash's chart-toppers. Strictly speaking, some of these singles did not reach number one – 1958's "The Ways of a Woman in Love" and 1979's "(Ghost) Riders in the Sky" peaked at two, while 1958's "What Do I Care" topped out at eight – and a good case could be made that "Get Rhythm," the charting flip of "I Walk the Line," should have been here, but that's ultimately nitpicking as this provides a single-disc overview of Cash's charting years unlike any other compilation on the market.

The US band is finally presenting an official release of their famed and reverently discussed Portal tapes! After splitting up, Cynic members Paul Masvidal, Sean Reinert and Jason Gobel formed the short-lived project Portal together with Chris Kringel on bass and stunning vocalist Aruna Abrams. Aruna’s beautiful and haunting voice combined with Paul’s clean vocals is the perfect fit for these laid back and subtle songs that have more in common with the sound of Porcupine Tree and The Gathering than their original Progressive Death Metal roots. This genre was shaped by Cynic’s full-length debut “Focus” (1993). Yet since their reunion in 2006, Cynic have moved via the Progressive Metal of their highly acclaimed second album “Traced in Air” (2008) towards ever more open soundscapes combining many stylistic influences. With “The Portal Tapes” the missing link in Cynic’s evolution is now available.

With the release of 1967's Days of Future Passed, the Moody Blues left behind their R&B origins and emerged as pioneers of Britain's emerging art rock sound. A richly imagined concept album that fused classical music with rock, Days of Future Passed arrived less than six months after the Beatles' Sgt. Pepper's Lonely Hearts Club Band to an audience already primed to embrace such a progressive work. What's more, it was a hit on both sides of the Atlantic thanks to its dreamy singles "Nights in White Satin" and "Tuesday Afternoon," establishing the Moodies as both a commercially viable and deeply creative unit.

El Juicio (The Judgement) is an album by pianist Keith Jarrett recorded in 1971 and released in 1975. On four days in July and one in August 1971, Jarrett went into the Atlantic Recording Studios with his trio (Charlie Haden and Paul Motian), plus Dewey Redman on tenor saxophone, and produced enough music for three albums: The Mourning of a Star (released in 1971), El Juicio (The Judgement) and Birth (released in 1972). Accordingly, the 1971 sessions mark the emergence of what would be later called Jarrett's "American quartet."