Jordi Savall & Le Concert Des Nations

Jordi Savall, Le Concert des Nations & La Capella Reial de Catamunya - Marin Marais: Alcione (2021) [Digital Download 24/88]

Jordi Savall, Le Concert des Nations & La Capella Reial de Catamunya - Marin Marais: Alcione (2021)
FLAC (tracks) 24-bit/88,2 kHz | Front Cover & Digital Booklet | Time - 175:43 minutes | 3,15 GB
Classical, Opera | Label: Alia Vox, Official Digital Download

The last great tragédie en musique or “musical tragedy” of the reign of Louis XIV, Alcyone (Alcione, as the title appears in the 1706 edition) is an all-round spectacle poised between the 17th and 18th centuries. From the 17th century it takes its mythological source, its prologue in praise of the king, its high literary quality and its vocation for spectacle, combining choreography and changes of scenery.
Jordi Savall, Le Concert des Nations - Vivaldi: Juditha Triumphans, RV 644 (2019)

Jordi Savall, Le Concert des Nations - Vivaldi: Juditha Triumphans, RV 644 (2019)
FLAC tracks | 02:20:26 | 735 Mb
Genre: Classical / Label: Alia Vox

‘Judith triumphant over the barbarians of Holofernes’ is the only survivor of the four oratorios that Vivaldi is known to have composed. The work was commissioned to celebrate the victory of the Republic of Venice over the Turks during the siege of Corfu. All characters, male and female, are interpreted by women (originally the singers of the Ospedale della Pietà in Venice). Although the rest of the oratorio survives completely intact, the overture has been lost and Jordi Savall has selected two existing concertos as introduction, of which the key, mode and no doubt date of composition coincide most closely with the subject of the oratorio.
Jordi Savall, Le Concert Des Nations - Gluck: Don Juan - Semiramis (2022)

Jordi Savall, Le Concert Des Nations - Gluck: Don Juan - Semiramis (2022)
WEB FLAC (Tracks) 305 MB | Cover | 01:05:23 | MP3 CBR 320 kbps | 153 MB
Classical | Label: Alia Vox

As early as 1761, a year before Orfeo ed Euridice, Gluck largely renewed another musical genre, the ballet, with his adaptation of Molière's Don Juan for Viennese audiences. Sémiramis followed a year later. The two works were based for the first time on a coherent narrative in which all the resources of the orchestra were put at the service of expression. Jordi Savall and Le Concert des Nations bring out all the nuances of these scores, recalling that a quarter of a century before Mozart, the stages of Europe were treated to the full evocative power of music by another outstanding personality: C. W. Gluck.
Jordi Savall & Le Concert Des Nations - Handel - Water Music & Music For The Royal Fireworks (2008) {Alia Vox AVSA 9860}

Jordi Savall & Le Concert Des Nations - Handel - Water Music & Music For The Royal Fireworks (2008) {Alia Vox AVSA 9860}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 412 Mb | MP3 @320 -> 173 Mb
Full Artwork @ 300 dpi (jpg) -> 76 Mb | 5% repair rar
© 1993, 2008 Alia Vox | AVSA 9860
Classical / Baroque / Orchestral

This is a reissue of a recording from 1993 (re-released a few years ago and deleted in 2003), recently remastered for SACD, and it really impresses with a renewed presence and impact, even on standard CD playback. As I said in my original review, Savall's reading "comes as close as these things can to placing us in the best seat in the house and treats us to a rare experience: the sensation of believing we're hearing a ruggedly familiar piece for the first time. Literally bursting with energy, scintillating strings, blazing horns, and incisive winds, and never boring even for one second, these performances give you Handel at his most exciting." If you have the earlier release, you probably don't need this one–unless you now own an SACD system–but it does deserve a place in every Handel collection, not only for the unsurpassed performances, but also for the effect of Savall's several decidedly "non-standard" tempos(!), and of course for the phenomenal sound, which now must have reached its ultimate realism in this format.
Jordi Savall & Le Concert des Nations - Tous les matins du Monde (2001) {Alia Vox CD & Bonus CD AV9821}

Jordi Savall & Le Concert des Nations - Tous les matins du Monde (2001) {Alia Vox CD & Bonus CD AV9821}
XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 694 Mb | MP3 @320 -> 326 Mb
Artwork @ 300 dpi (png) -> 151 Mb | 5% repair rar
© 2001 Alia Vox | AV9821 / BE-AV9821
Classical / Baroque / Chamber Music / Bass Viola da gamba

The 1991 French film Tous les matins du monde (All the Mornings of the World) attracted an audience of unexpected size for a story about French Baroque viol music, becoming a runaway hit in France and Germany and even gained wide distribution in the classical-chary U.S. The commercial ramifications grew with the release of the film's soundtrack, featuring early music giant Jordi Savall on viol; the soundtrack achieved platinum sales levels in its initial release. The film's story, built on a very few sketchy facts about the reclusive seventeenth century viol player known only as Monsieur de Sainte Colombe, drew viewers with its modern resonances touching on the conflict between art and popular success, and partly with its dramatic lighting reminiscent of the paintings of Louis le Nain. The soundtrack has a few pieces with vocals or with a small ensemble of other players.
Jordi Savall & Le Concert des Nations - Les Éléments: Tempêtes, Orages & Fêtes Marines 1674 - 1764 (2016) {2CD Alia Vox}

Jordi Savall & Le Concert des Nations - Les Éléments: Tempêtes, Orages & Fêtes Marines 1674 - 1764 (2016) {2CD Alia Vox AVSA9914}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 606 Mb | MP3 @320 -> 257 Mb
Full Artwork @ 300 dpi (jpg) -> 173 Mb | 5% repair rar
© 2016 Alia Vox | AVSA9914
Classical / Baroque / Orchestral

This double album is an invitation to explore the forces of nature, so vividly depicted by the composers at the turn of the XVIIth and XVIIIth centuries. With this stunning (and first) recording of Jean-Fery Rebel’s Les Elements, Jordi Savall displays his unmatched vision of the baroque orchestral repertoire, proving that authenticity and timbral beauty aren’t mutually exclusive. New recordings of works by Locke, Vivaldi, Marais, Telemann and Rameau - a splendidly varied and expressively wide-ranging selection - is a welcome addition to the existing landmark recordings made by Savall in this repertoire.
Jordi Savall & Le Concert des Nations - Le Concert Spirituel: Au temps de Louis XV (2010) {Alia Vox AVSA 9877}

Jordi Savall & Le Concert des Nations - Le Concert Spirituel: Au temps de Louis XV (2010) {Alia Vox AVSA 9877}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 432 Mb | MP3 @320 -> 181 Mb
Full Artwork @ 600 dpi (jpg) -> 249 Mb | 5% repair rar
© 2010 Alia Vox | AVSA 9877
Classical / Chamber Music / Baroque

Le Concert Spirituel was essentially a Parisian concert series held at the Tuileries Palace, begun in 1725 as an opportunity for musical performances during Lent and other Holy Days when secular musical activities like opera were forbidden. The concerts continued until 1790, just after the beginning of the French Revolution. The music of French composers filled most of the programs, but German and Italian music was occasionally heard, and this CD includes five pieces by Corelli, Telemann, and Rameau that were known to have been played at the concerts. Jordi Savall and Le Concert des Nations, one of the many stellar ensembles he is responsible for founding, play these works with such surging vibrancy that anyone who thinks of the Baroque as a period of stiff formality would be disabused of that notion on hearing these performances.
Jordi Savall & Le Concert Des Nations - Mozart - Serenate Notturne (2005) {Alia Vox AV9846}

Jordi Savall & Le Concert Des Nations - Mozart - Serenate Notturne (2005) {Alia Vox AV9846}
EAC rip (secure mode) | FLAC (image)+CUE+LOG -> 355 Mb | MP3 @320 -> 174 Mb
Full Artwork @ 300 dpi (jpg) -> 135 Mb | 5% repair rar
© 2005 Alia Vox | AVSA 9846
Classical / Viennese School / Orchestral

Loving performances caught in lovely sound, so what's not to love? Not, as it turns out, much, but not, regrettably, nothing at all. Jordi Savall, the gambist cum conductor who directs Le Concert Des Nations, is a genial, even affectionate leader who in these four light works of Mozart grants his players a considerable amount of interpretive freedom. Le Concert Des Nations, Savall's all-purpose classical and pre-classical chamber orchestra, responds with funny, even frothy, playing is as technically assured as it is brilliantly colorful. Alia Vox, Savall's label for everything he records from El Sabio to Monteverdi, catches the performances in a warm, natural, and deep acoustic of amazing vividness.
Jordi Savall, Le Concert des Nations - J-F. Rebel & G.Ph. Telemann: Terpsichore - Apothéose de la Danse baroque (2018)

Jordi Savall, Le Concert des Nations - J-F. Rebel & G.Ph. Telemann: Terpsichore - Apothéose de la Danse baroque (2018)
EAC | FLAC | Image (Cue & Log) ~ 521 Mb | Total time: 77:29 | Scans included
Classical | Label: AliaVox | # AVSA9929 | Recorded: 2017

Baroque instrumental music often took the form of dance suites, which allowed considerable flexibility in the arrangement of minuets, sarabandes, gavottes, bourrées, chaconnes, allemandes, and courantes, mixed with character pieces and even scenic tableaux in the much larger presentations of court ballets. In Terpsichore: Apothéose de la Danse baroque, a splendid 2018 AliaVox release by Jordi Savall and Le Concert des Nations, works by Jean-Féry Rebel and Georg Philipp Telemann are compared side-by-side to indicate the commonality of practices at the time, as well as the variety of dance music in the hands of two different masters.
Jordi Savall & Le Concert des Nations - Haydn - Les sept dernieres paroles de notre Redempteur sur la Croix (1991) {ES 9935}

Jordi Savall & Le Concert des Nations - Haydn - Les sept dernières paroles de notre Rédempteur sur la Croix (1991) {Astrée ES 9935 rel 1999}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 306 Mb | MP3 @320 -> 168 Mb
Full Artwork @ 300 dpi (png) -> 132 Mb | 5% repair rar
© 1991, 1999 Astrée / Naïve | ES 9935
Classical / Viennese School / Sacred

In the semi-darkness within a grotto beneath the church of Santo Rosario in Cadiz, the bishop pronounced one of the seven Last Words of Christ, then, during the ensuing silence, the orchestra played… Commissioned from Haydn in 1786, these seven mystical sonatas, with their sombre melody, take their inspiration from the rhythm of each of the seven Words. Preceded by a noble Prelude and followed by an impressive Terremoto (Earthquake), there have been various versions (piano, string quartet, vocal), but here they are presented in the original version and with all the glowing colours of the Concert des Nations.