Jorge López Ruiz

Various Artists - Spiritual Jazz, Vol. 5: Around The World 1961-1979 (2014) {Jazzman ‎JMANCD 067}

Various Artists - Spiritual Jazz, Vol. 5: Around The World 1961-1979 (2014) {Jazzman ‎JMANCD 067}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 444 Mb | MP3 @320 -> 188 Mb
Full Artwork @ 300 dpi (jpg) -> 23 Mb | 5% repair rar
© 1961-79, 2014 Jazzman Records | ‎JMANCD 067
Jazz / Spiritual Jazz / Modal Jazz / Progressive Jazz

Until it was swept aside by the pop explosion of the 1960s, jazz was the most popular modern sound on earth. From the New World and the Caribbean to Africa, across the Soviet Bloc and the British Empire to the Far East, jazz music was embraced, adopted, played and enjoyed.
Sandro - Una Muchacha Y Una Guitarra (1968) [1999, Remastered with Bonus Tracks]

Sandro - Una Muchacha Y Una Guitarra (1968) [1999, Remastered with Bonus Tracks]
Pop/Rock, Latin, Ballad | EAC Rip | FLAC, Tracks+CUE+LOG+Scans (JPEG) | 42:55 | 281,81 Mb
Label: Sony Music Entertainment (Argentina) S.A. | Cat.# 2-484939 | Released: 1999 (1968)

Roberto Sánchez-Ocampo (August 19, 1945 – January 4, 2010), better known by his artist names Sandro/Sandro de América ("Sandro of America"), Gitano (gypsy), and the Argentine Elvis, was a notable Argentine singer and actor. He is considered one of the first rock artists to sing in Spanish in Latin America. He edited 52 official records and sold 50 million copies although other sources state that he sold over 75 million.

Joaquín Rodrigo Edition [21 CDs] (2013)  Music

Posted by ArlegZ at Nov. 19, 2023
Joaquín Rodrigo Edition [21 CDs] (2013)

Joaquín Rodrigo Edition [21 CDs] (2013)
EAC | FLAC | Image (Cue & Log) ~ 4,90 Gb | Total time: 23h 02' 01'' | Scans included
Classical | Label: Brilliant Classics | # 9297 | Recorded: 1960, 1980-2007

On this, the largest set ever compiled of one of the last century's most popular composers, we may not only renew our familiarity with the Concierto de Aranjuez, or perhaps with one of the other ever-melodious guitar concertos that sustain his reputation with audiences, but also discover chamber, instrumental, choral and especially vocal works which testify to a creative imagination confident in the formation of its style but never satisfied with repetition, one which responded directly to poetic and lyric inspiration, and transformed its ideas with unfailing skill and respect for the idiom under consideration.