José Valentino Bajista

Sarah Willis is a tireless ambassador for her instrument, the French horn, which she champions around the world. A horn player with the famous Berlin Philharmonic Orchestra since 2001, she launched what was soon to become a famous TV programme, ‘Sarah’s Music’, for Deutsche Welle in 2014, interviewing personalities ranging from Gustavo Dudamel to Wynton Marsalis. The award-winning programme presents music with warmth and in all its diversity.

This is first recording for Challenge Classics by the very highly-rated Al Ayre Español and its conductor Eduardo López Banzo - and the beginning of a longterm partnership. The sacred cantatas performed on this Hybrid SACD are by José de Nebra, the ‘father’ of Spanish opera and Zarzuela.

With a capaciously-filled boxset of a dozen CDs made up of attractive individual programmes and entitled The Spanish Guitar, Glossa reintroduces the superb playing of José Miguel Moreno. And with recordings from 1991-2004 which still sound fresh and vivid today. A new essay and all the sung texts are included in the physical booklet that completes this limited-edition set.

Feliciano! is a 1968 album by Puerto Rican guitarist José Feliciano. All of the tracks are acoustic cover versions of songs popularized by other artists, including The Mamas & the Papas, The Doors, Gerry & the Pacemakers, The Beatles, Jorge Ben Jor, and Lou Johnson…

Their previous release on BIS – Carmen Symphony, BIS-CD-1305 – was given the Latin GRAMMY award for "Best Classical Album of 2004". Now José Serebrier and the Barcelona Symphony Orchestra return with another disc on Latin themes. This time it is South America, where José Serebrier hails from, which has provided the inspiration. Original compositions by Stravinsky, Barber, Weill and Serebrier himself are complemented by orchestral adaptations of tangos by Satie (Tango Perpétuel) and Piazzolla among others.

Portugal doesn't get much credit for seemingly any of her accomplishments, but they are substantial, particularly in art. These absolutely lovely violin sonatas from two composers who worked in the 20th century not only rectify this oversight, they add unquestionably to an already rich violin repertoire. Monteiro and Santos have had my attention for quite some time now, this 2010 release is simply another success in a line of great releases. I've admired their artistry, but it really is a treat to hear them in music that is so clearly close to them.