Joshua Michael Schrei

With Musical Gifts, world-renowned violinist Joshua Bell imagines friends coming to his home during the holiday and joining in on songs that celebrate the warmth, beauty and magic of the season. Following the concept of his critically acclaimed 2009 album, At Home with Friends, Bell is paired with a variety of special guests including Gloria Estefan, Alison Krauss, Kristin Chenoweth, saxophonist Chris Botti, jazz greats Chick Corea and Branford Marsalis, opera stars Plácido Domingo and Renée Fleming, Michael Feinstein and a cappella group Straight No Chaser.

With Musical Gifts, world-renowned violinist Joshua Bell imagines friends coming to his home during the holiday and joining in on songs that celebrate the warmth, beauty and magic of the season. Following the concept of his critically acclaimed 2009 album, At Home with Friends, Bell is paired with a variety of special guests including Gloria Estefan, Alison Krauss, Kristin Chenoweth, saxophonist Chris Botti, jazz greats Chick Corea and Branford Marsalis, opera stars Plácido Domingo and Renée Fleming, Michael Feinstein and a cappella group Straight No Chaser.

With Musical Gifts, world-renowned violinist Joshua Bell imagines friends coming to his home during the holiday and joining in on songs that celebrate the warmth, beauty and magic of the season. Following the concept of his critically acclaimed 2009 album, At Home with Friends, Bell is paired with a variety of special guests including Gloria Estefan, Alison Krauss, Kristin Chenoweth, saxophonist Chris Botti, jazz greats Chick Corea and Branford Marsalis, opera stars Plácido Domingo and Renée Fleming, Michael Feinstein and a cappella group Straight No Chaser.

German composer Michael Praetorius, whose life bridged the 16th and 17th centuries, was one of his era's most prolific writers, both of musical works and of works about music. His "Syntagma Musicum" remains one of the most important treatises on instruments and performance practice; he composed many volumes of Protestant hymn-based works, motets, psalms, works for multiple choir, and Latin music for the Lutheran service. The "Magnificat" performed on this program is one of 14 that Praetorius included in his Megalynodia Sionia, published in 1611. Its polyphonic style and rich instrumental writing–particularly for brass–is occasionally reminiscent of Gabrieli, whose works Praetorius studied; or Schutz, with whom he traveled throughout Germany.

On 2 March 1714, barely three weeks before his twenty-ninth birthday, the Weimar court organist Johann Sebastian Bach received "the title of Concertmaster." Shortly before he had turned down an important organist's position in Halle; the promotion to concertmaster, granted "at his most humble request," clearly represented a quid pro quo on the part of his employer, Duke Wilhelm Ernst of Saxe-Weimar. As the principal condition of his new post Bach had the obligation "to perform new pieces every month"—in today's parlance, to produce a new cantata on a monthly basis.