Joshua Weissmann

The members of the legendary original 1990s Joshua Redman Quartet—Joshua Redman (saxophone), Brad Mehldau (piano), Christian McBride (bass), and Brian Blade (drums)—reunited after twenty-six years after their 1994 debut album, MoodSwing, for 2020’s RoundAgain; they return now with LongGone, out now. The new album features original Redman compositions from the RoundAgain recording sessions, plus a live performance of the MoodSwing track “Rejoice,” captured by SFJAZZ at the San Francisco Jazz Festival.

Joshua Redman's 2007 album Back East rightfully drew critical comparisons to Sonny Rollins' legendary trio date Way Out West, given everything from the mirror image implication in the title to the manner in which Redman offered the material on the set. The presence of Rollins looms large over Compass as well. Once more, Redman explores a piano-less trio, though there are some quartet and quintet numbers here. Redman is accompanied by longtime friends and collaborators, including drummers Brian Blade and Gregory Hutchinson, and bassists Larry Grenadier and Reuben Rogers. The material is with one exception - a compelling reworking of Beethoven's Moonlight Sonata (here known simply as "Moonlight") - all composed by either Redman or the group…

Once again featuring the expansive keyboard talents of Sam Yahel, saxophonist Joshua Redman's Momentum features more of the '70s-influenced jazz the former "young lion" experimented with on 2002's Elastic. Bringing to mind works by such iconic artists as Miles Davis, Herbie Hancock, and especially Eddie Harris, Redman digs into sundry groove-oriented tracks such as the driving and punchy "Sweet Nasty," which finds Yahel and Redman soloing hard over drummer Jeff Ballard's James Brown-ready dance beat. Interestingly, Redman conscribes some heavy sidemen to help stir the funk this time around with bassists Flea of the Red Hot Chili Peppers and jazz-pop iconoclast Me'Shell NdegéOcello adding their signature styles to their respective tracks…

THREE CELLO SUITES from clarinetist Joshua Ranz and Navona Records is a truly groundbreaking take on Bach’s legendary works; In this album, for the first time ever, listeners may enjoy three unabridged cello suites by Bach arranged for the bass clarinet. Ranz selected Suites 1, 4, and 2 for this recording because, together, they form a cohesive and dynamic whole. Ranz holds the chair of principal clarinet for the Los Angeles Chamber Orchestra, and has played on such blockbuster soundtracks as Toy Story 3 and 4, and Star Wars episodes VII and IX. He can be heard prominently featured in La La Land, Catch Me If You Can, and An American Pickle. Ranz lends a fresh voice to Bach’s profoundly-beautiful music in THREE CELLO SUITES.

A very light but very lovely disc of mid-twentieth century violin concertos, this 1996 recording by Joshua Bell with David Zinman directing the Baltimore Symphony Orchestra coupling the concertos of Samuel Barber and William Walton along with Baal Shem, the concerto-in-all-but-in-name by Ernest Bloch, may be for younger listeners a first choice among digital recordings.

It is not clear what took Sony Classical five years to issue these performances, recorded by violinist Joshua Bell and the Singapore Chinese Orchestra in 2018. Having had it in the can, it would have made ideal pandemic-era listening. However, better is certainly late than never, and the recording is a real find. It made classical best-seller lists in the summer of 2023. Most musical fusions have one tradition or the other at the core, but in this one, the trips between Western and Chinese are so numerous that one loses track.

Scott Joplin: Piano Rags is a 1970 ragtime piano album, consisting of compositions by Scott Joplin played by Joshua Rifkin, on the Nonesuch Records label. The original album's cover states the name as Piano Rags by Scott Joplin, as contrasting the album's spine. The record is considered to have been the first to reintroduce the music of pianist and composer Joplin in the early 1970s. It was Nonesuch Records' first million-selling album.

Joshua Bell's fresh approach to these violin warhorses makes for an unexpectedly inviting listening experience. In the Mendelssohn he marries his bright tone to forthright phrasing in a manner that communicates the music's emotion without sliding into the gooey sweetness heard in some interpretations. There's little if anything hackneyed about Bell's reading, indicating he's thought about the work anew, right through to the stylistically appropriate cadenza he composed himself (Bell cites research that suggests Mendelssohn's friend Ferdinand David may have actually composed the original cadenza).

Robert Kyr has composed twelve symphonies, three chamber symphonies, concerti, and more than 100 works for vocal ensembles of all types. The ten beautiful choral works on this recording reflect the arc of Kyr's music over the past twenty years, the titles acutely illustrative of the composer's spiritual interests: "In Praise of Music", "O Great Spirit", "Veni Creator Spiritus", "Santa Fe Vespers", "Dawnsong", "Voices for Peace", "Freedom Song" "Alleluia for Peace".