Jrssika Fleck

Aside from being legendary multiple Grammy-winning jazzmen on very different instruments, Chick Corea (piano) and Béla Fleck (the world's premier jazz banjo master) have a shared love for collaboration and the infinite improvisational possibilities their chosen idiom offers them. In some ways, the two have been preparing for this masterful, musical dialogue-driven masterpiece for over ten years. Fleck, who has always credited Corea as being one of his chief influences, invited the pianist to play on the Flecktones' Tales from the Acoustic Planet, as well as the group's live CD Live Art. Some years later, in 2001, Corea found a spot for Fleck on his Rendezvous in New York DVD.

2012 collaboration between banjo virtuoso Bela Fleck and Jazz pianist Marcus Roberts and his trio. Roberts' Trio is known for its virtuosic style: a style that is strongly rhythmic, melodic, and filled with dynamic contrast. Fleck is often considered the premier banjo player in the world. He has virtually reinvented the image and the sound of the banjo through a remarkable performing and recording career that has taken him all over the musical map and on a range of solo projects and collaborations.

Released the same year as PLACES, 1987's DAYBREAK has less of the eclecticism of the former outing, but still captures banjo player Bela Fleck merging his bluegrass roots with forays into other genres (fusions he would perfect with his '90s outfit the Flecktones). The lead-off track, "Texas Barbeque," shows Fleck can still pick his way masterfully through the bluegrass idiom, but the following cut, a version of Chick Corea's romantic, pulsing composition "Spain" (with banjo and mandolin taking the lead lines), proves Fleck is no straight-laced traditionalist. Likewise, the Celtic-flavored "Growling Old Man and the Grumbling Old Woman," the Fats Waller rag "How Can You Face Me Now," and the sweeping ballad "The Natural Bridge Suite" have Fleck moving all over the musical map with grace and ease.

Though the Flecktones didn't change their formula with their third album, UFO Tofu, they did manage to craft one of their more consistent and impressive efforts. The band's fusion of jazz, bluegrass, and funk gels quite well on UFO Tofu – not only does Bela Fleck turn in a rich, eclectic performance, but pianist Howard Levy's deft lines and inventive phrasing dominate the album. Occasionally, the material is lightweight, functioning only as vehicle for the group's solos.

The Melody of Rhythm, is an unparalleled collaboration between banjo virtuoso Bela Fleck, composer and double-bass master Edgar Meyer and Zakir Hussain, arguably the world’s greatest tabla player.

Béla Fleck's three-movement concerto, named in honor of his son Juno, was recorded in April 2016 with the Colorado Symphony Orchestra. The album is rounded out with two pieces that feature Béla with the edgy Brooklyn Rider string quartet.

Drive is an album by American banjoist Béla Fleck. The album was produced toward the end of Fleck's New Grass Revival career and before the Flecktones were formed and included an all-star list of bluegrass performers…

Start with a pair of virtuoso musicians, two guys who have twenty Grammys between them but have worked together only sporadically. Add in the freedom to explore and create, and then turn them loose. That's the recipe for this exciting new Concord album, The Enchantment, featuring legendary jazz pianist Chick Corea and Bйla Fleck, the banjo wizard known for pushing the boundaries of an instrument that's normally part of folk or country music. The only problem I'm going to encounter in reviewing this album is in trying to restrain my galloping enthusiasm - it's that good. I would not have guessed that a collection of songs this enjoyable could have been created with only piano and banjo, but these guys are so talented and innovative that it works.