Juan Centella

The RCOC is an independent operatic ensemble performing on period instruments, created by the conductor and musicologist Juan Bautista Otero and the stage producer Isidro Olmo. It focuses its activity on the rediscovery of the musical heritage related to Spain and the old Bolurbon kingdoms in Italy during the 18th century, specially concerning the music for the stage of the Neapolitan operatic masters as David Pérez, Domingo Terradellas, Domenico Scarlatti, Mariana Martínez or Martín y Soler as commissioned by the great castrato Farinelli. This is clearly a project close to Juan Bautista Otero's heart, and one that he has been associated with since 1998.

Nuria Rials Aufnahmen für dhm werden in aller Welt hochgelobt. Ihr Album »Muera Cupido« mit dem Ensemble Accademia del Piacere wurde gerade für den Opus Klassik nominiert. Für ihr neues Album hat die Sopranistin zusammen mit dem spanischen Tenor Juan Sancho Arien und Duetten aus G. F. Händels Opern, Oratorien und Kantaten ausgewählt, die die menschliche und göttliche Liebe besingen. Die begleitende Capella Cracoviensis rundet unter der Leitung von Jan Tomasz Adamus das Album mit Tanzsätzen und Ouvertüren ab. In der Barockoper war es üblich, dass die Duette von Sopranistinnen und Kastraten gesungen wurden.

Here is yet another operatic masterpiece reborn thanks to Juan Bautista Otero and his splendid Réal Compania Opera de Camara. 'Aminta, il re pastore' is an extraordinary work which the famed castrato Farinelli commissioned from the Bolognese composer Mazzoni after the huge success of his two operas produced in Lisbon, 'La clemenza di Tito' and 'Antigono'. Faithfully following Metastasio's original libretto, Mazzoni composed here a sublime opera seria in 3 acts, shorter than usual, with a blend of pathos, delicacy of expression and virtuosity that gives a marvelously complete picture of what one might call 'the Farinelli sound'.

'Orlando' is an operatic masterpiece by the Neapolitan Composer Nicola Porpora (1686-1768) who left an indelible mark on the 18th century and the careers of its greatest masters, from Hasse, Jommelli and Handel to Joseph Haydn, who was his pupil in Vienna. Against the background of the old Carolingian epic, the valiant knight Roland is transformed here into a lover before becoming 'Orlando furioso' in this encounter of three mythical figures: Ariosto, Metastasio and Porpora. The gamut runs from epic to tragedy in this vibrant, crackling performance under the inspired direction of Juan Bautista Otero.

In spite of doom-laden predictions a few years ago that the age of recorded opera was dead, fascinating new discs are being produced, often of obscure rarities – and it would be hard to be more obscure than the operas of Domènec Terradellas, who worked for a while at the King's theatre in London in the mid-1740s but whose music has completely disappeared from view. On the evidence of this lavish and dramatic opera seria for Rome and Barcelona, he was alive to the most modern trends in virtuosic vocal writing without ever quite achieving depth of feeling. Juan Bautista Otero's committed revival with his sparkling Barcelona orchestra includes some dazzling singing, with the honours shared between Alexandrina Pendatchanska's correctvicious Nitocri and Sunhae Im in the title role.

Los Angeles, June 2021 - An abounding reunion amongst Latin-Jazz luminaries, long-time music collaborators & friends embodied a gathering in the studio with a mission to record tracks for the long-awaited new album from Colombian native, Juan Carlos Quintero…

This doble CD contains the opera Ifigenia in Aulide by Vicente Martín y Soler (1754-1806), a Spanish opera composer whose European recognition rivalled that of Mozart —in 2004 the 250th anniversary of Mozart’s birthday was celebrated. The libretto is based on a classical tragedy named after the Greek heroine Ifigenia. The action takes place in Troya in 1100 B.C. and among the characters are Ifigenia, Aquiles, Agamenón, Ulises, and Arcadia. The author of the libretto was Luigi Serio. This opera had not been represented since its premiere at San Carlo theatre in Naples in 1779. Its premier in Úbeda-Baeza was an important landmark in the first years of the Festival, due to the complexity of the production and the excellent artistic results.

This is the second solo outing for Peruvian-born bel canto tenor Juan Diego Flórez, who, at the age of 30, is garnering high acclaim for his clear, loud voice and secure confidence, on-stage charisma, and outstanding sense of vocal expressiveness. Una furtima lagrima, indeed, is an earnest, earthy, easily accessible disc of arias, choral ensembles, and scenes drawn from works of Bellini and Donizetti. On this beautifully recorded Decca disc Flórez is helped out by the Orchestra Sinfonica e Coro di Milano Giuseppe Verdi, conductor Riccardo Frizza, and vocal artists covering other roles in these operatic "bleeding chunks" including Nikola Mijailovic, Nicola Uliveri, and Ermonela Jaho.