Guitarist Julian Lage (“one of the most dazzling improvisers around”—NY Times) returns with a stunning new album View With A Room, the follow-up to his acclaimed 2021 Blue Note debut Squint, which the Associated Press called “an exuberant, engaging, endlessly inventive exploration of styles.” This time Lage expands his versatile trio with bassist Jorge Roeder and drummer Dave King into a quartet with the addition of fellow guitarist and Blue Note labelmate Bill Frisell. View With A Room presents 10 compelling new original compositions by Lage that explore a wide range of guitar sounds and textures with these two distinctive master guitarists seamlessly blending their unique 6-string styles.
Academy of Ancient Music, Cambridge Handel Opera Company, Cambridge Early Music and Julian Perkins are proud to present the first professional recording of John Eccless Semele (c.1707), a notable early setting of the great English libretto by William Congreve better known in a version by GF Handel from 1744. Academy of Ancient Musics mission is to explore, reveal and preserve the great treasure house of baroque and classical music, and a spirit of newfound discovery runs through all our work.
Japanese edition of 1988 album. Pendragon are an English neo-progressive rock band established in 1978 in Stroud, Gloucestershire as Zeus Pendragon by guitarist and vocalist Nick Barrett. The Zeus was dropped before the band started recording as the members decided it was too long to look good on a T-shirt. There were a few personnel changes in the early days, but since 1986 the lineup has remained relatively stable (with only the drummer changing twice since then) and the band is still active as of 2016, with a busy European tour.
Madeleine Peyroux's fourth album isn't the normal mix of standards (contemporary or traditional) with a few songs of her own composing; each of the 11 tracks is a new song written by Peyroux, usually in tandem with producer Larry Klein or a guest. Still, she appears in her usual relaxed setting, with a small group perfectly poised to translate her languorous vocals into perfect accompaniment – organist Larry Goldings, pianist Jim Beard, drummer Vinnie Colaiuta, plus producer Klein on bass, Dean Parks on guitar, and Carla Kihlstedt on violin. Fans of vocal jazz may be disappointed to see that all the songs are new ones – many a great conversation could consist solely of the standards she should perform – but they may regret the disappointment.