Julian Ormon

A switch to Island Records resulted in the best possible start not merely a generally fine album but a simply fantastic hit U.K. single, "World Shut Your Mouth." Nothing to do with the record of the same name but definitely possessing much of the same energy, it's a great slice of modern rock, with a crisp arrangement and punchy performance from Cope and his band. Skinner and Fried drummer Chris Whitten reappear, while bassist James Eller and keyboardist Double DeHarrison fill out the lineup. Kate St. John once again adds cor anglais here and there, one of her best moments being the bright charge of the title track. Together they tackle a set of songs notably less insular than much of the Fried material, with full-on performances to match. One song shows that best of all "Shot Down," which originally appeared on Fried and here becomes a swaggering, pounding rocker with keyboards adding to the impact. More than ever before in his solo career, Cope sounds like he's performing songs meant to be heard live, as the charging "Trampoline" and "Spacehopper" show. There's an almost finger-snapping, swinging vibe to a number of the performances that recall Teardrop Explodes days without trying to simply re-create that sound he's not trying to revisit the past, there's no need. A few numbers sound a bit too cold and crisp to work entirely "Planet Ride" is arena soul/rock that sounds like something Robert Palmer would have done around the same time, lyrics aside. A couple of other moments like that crop up, but with the balance skewed more to joys like Cope's in-your-face vocal on "Pulsar" and the lengthy final track "A Crack in the Clouds," Saint Julian is another winner.

Handel Hendrix House in London’s Mayfair holds a substantial collection of keyboard instruments – spinet, organs, and harpsichords – both original from Handel’s own day and reproductions, representing a roster of some of the greatest names from Kirckman and Snetzler to Goetze & Gwynn and Bruce Kennedy’s copy of the Colmar Ruckers harpsichord.

Together with its artistic director Julian Azkoul, the United Strings of Europe develop engaging programmes with the aims of finding threads between different works and epochs, musical cultures and backgrounds, of blending the familiar with the new and of encouraging people to listen to works in different ways and discover new repertoire.

Winner of the 2019 Pulitzer Prize in Music, p r i s m tells the story of an ill girl, Bibi, and her doting mother, Lumee, who live in a pristine sanctuary. Locked away from the world, Bibi and Lumee try to protect each other from the dangerous illness that lurks outside their door and has already infected Bibi’s legs- leaving her unable to walk. Every day Lumee attempts to feed Bibi medicine to heal her, yet each time Bibi is about to swallow her dose the Outside erupts into a fury- scaring Bibi from taking her medicine.

Moe Diamond is a New York City money launderer who wakes up with no memory and millions of dollars in stolen cash and drugs. He must soon scour the streets in search of answers while trying to dodge a crew of violent and crooked cops. Starring Liam Hemsworth. Music composed by Heiko Maile and Julian DeMarre.

Almost three years have passed since »Stand Your Ground«, Julian Sas' last album. Like almost all colleagues, the Dutch blues and blues rock guitarist and singer had to take a break due to the corona. In 2022 he will be back with a new tour and a new album: »Electracoustic«.

Joining forces again for their second album on Signum Classics, duo Julian Bliss, clarinet and ames Baillieu, piano perform works by composer giants Clara & Robert Schumann. Many of the tracks on this recording are new arrangements by Bliss himself, and world premiere recordings.

Joining forces again for their second album on Signum Classics, duo JULIAN BLISS (Clarinet) And JAMES BAILLIEU (Piano) perform works by composer giants Clara & Robert Schumann.

Together with its artistic director Julian Azkoul, the United Strings of Europe develop engaging programmes with the aims of finding threads between different works and epochs, musical cultures and backgrounds, of blending the familiar with the new and of encouraging people to listen to works in different ways and discover new repertoire.