Julien Gernay Vinophony

This programme reflects the full flavour and richness of English music and the instrumental and vocal repertory it inspired in Europe in the seventeenth and eighteenth centuries. The rhythmic impulse of this repertory sometimes making use of ostinato culminates in the grounds, jigs, contredanses and so on that were all the rage at the time and led to the publication of John Playford's collection The English Dancing Master in 1651. Les Musiciens de Saint-Julien, showing their familiarity with early sources from England, Scotland and Ireland, also emphasise the melodic aspect of these dances, which in the course of time became sung airs the soprano Fiona McGown and the baritone Enea Sorini complete a colourful instrumentarium. Finally, the light-hearted dimension of entertainment is present everywhere in this repertory, which was popular in the sense that it was universally practised at the time, achieving a fame that spread far beyond the British Isles.

Sandrine Piau’s first recital for the ALPHA Label, with Susan Manoff (Chimères – Alpha 397), proved an enormous hit (Diapason d’Or of the year, Choc of the year, and Gramophone Editor’s Choice). Her new project is a recital with orchestra celebrating French song of the period when it moved from the private salon to the concert hall. Planned in partnership with the Palazzetto Bru Zane, this programme evokes anticipation, desire, pleasure, memory, in short all the vagaries of love experienced by a romantic heroine… To verses of the poets Hugo, Lamartine, Gautier, and Verlaine, Sandrine Piau has selected song settings by Saint-Saëns (L’attente, Papillons), Massenet (Extase, Aimons-nous), and Vierne, as well as by the rarely-heard Dubois, Guilmant, and Bordes…