Jump Supercar

With West Coast jump blues and boogie-woogie piano. Featuring Charlie Musselwhite, The Roomful of Blues Horns, Ronnie Earl. Dubbing his swinging approach "rock-a-boogie," pianist Mitch Woods and His Rocket 88s have revived the jump blues approach of the '40s and '50s. Originally from Brooklyn, NY, Mitch Woods moved to San Francisco in 1970. While he was growing up in Brooklyn, he studied both jazz and classical music, but when he relocated to the Bay Area, he primarily played jump blues and R&B. San Franciscan guitarist HiTide Harris introduced Woods to the joyous jive of Louis Jordan, and the pianist's musical tastes were transformed. Between 1970 and 1980, Woods performed as a solo artist, gigging at a number of local clubs. In 1980, he formed the Rocket 88s, featuring Harris on guitar, and four years later, the band released their debut album, Steady Date, on Blind Pig.

Big Joe Turner - Rocks (2011) {Bear Family BCD17215AR rec 1939-1958}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 272 Mb | MP3 @320 -> 170 Mb
Full Artwork @ 600 dpi (png) -> 180 Mb | 5% repair rar
© 1939-58, 2011 Bear Family Records | BCD 17215 AR
Blues / Rock & Roll / Rhythm & Blues / Jump Blues

There is no question that Big Joe Turner rocked. He rocked harder than any jump blues bandleader, his band hitting the downbeat with a vengeance matched only by Turner’s full-throated roar. This was big-band blues in sound but not in style; it was rock & roll before there was a name for it. Bear Family’s 2011 set Rocks concentrates on his hardest-swinging R&B, leaning hard on Turner’s classic sides for Atlantic: “Roll 'Em Pete”; “Honey Hush”; “Flip, Flop and Fly”; and “Shake, Rattle and Roll,” which Bill Haley sweetened up for the first crossover rock & roll single.

Christmas Jump & Jive is one of two holiday-themed compilations included in Rod McKuen's series "Songs That Won The War." This collection is sourced primarily from radio broadcasts and transcriptions. It is a strange package: many of the selections are not holiday tunes; many are not from the 1940s, much less the war years; and some of the track titles are dubious at best: the "Quiet Christmas Riot" attributed to Buddy Rich is plain old "Quiet Riot," and Benny Goodman's "Jingle Bell Jive" is the 1935 "Jingle Bells" recorded for Victor. But buried in the filler are some rare gems: a breakneck broadcast version of Duke Ellington's "Ring Dem Bells"; a rare parody of "Rudolph The Red Nosed Reindeer" by the equally rare pairing of Bing Crosby and Ella Fitzgerald; and a broadcast performance of Nat King Cole's "Mrs. Santa Claus."