Jutta Hipp was often compared with male pianists like Lennie Tristano and Horace Silver. Sometimes those references were pejorative, as if she possessed no worthwhile original sensibilities. Perhaps the best recommendation came from Charles Mingus, who befriended the German-born painter/pianist and held her in the highest esteem. Heard in the company of Zoot Sims, Hipp sounds at times somewhat similar to Mingus when he chose to express himself at the piano. But that again is a comparison with a male musician! ~ AllMusic
Jutta Hipp with Zoot Sims is an album by German jazz pianist Jutta Hipp recorded in 1956 which was released on the Blue Note label as BLP 1530. The Allmusic review by Scott Yanow and Thom Jurek awarded the albums 4½ stars stating "as a whole, this recording is so wonderfully executed, one has to wonder why Hipp simply dropped out of the jazz world".
Ry Cooder's name has helped bring attention to this session, but it's the veteran Cuban son musicians who make this album really special. Reminiscent of Ellington in its scope and sense of hushed romanticism, Buena Vista Social Club is that rare meld of quietude and intensity; while the players sound laid-back, they're putting forth very alive music, a reminder that aging doesn't mean taking to bed. Barbarito Torres's laoud solo on "El Cuarto de Tula" is both more blinding and more tasteful than any guitar showcase on any recent rock album; a quote from "Stormy Weather" and some very distinct parallels to Hawaiian styles remind us of why it's called "world music." –Rickey Wright
An incredible tribute to German pianist Jutta Hipp – one of the few female players in the postwar European jazz scene, and one of the few who managed to make a splash on this side of the Atlantic too! Jutta's best known to American audiences for a handful of records she cut for Blue Note – and this set takes those records, and moves way way past them – to including a huge range of material that really opens up our understanding of Hipp's music in her all-too-short career! The CDs feature early German recordings – in a number of sessions with small groups that include a quintet with Emil Mangelsdorff on alto and Joki Freeund on tenor, a number of performances in the New Jazz Stars group of tenorist Hans Koller, work in a quintet with Attila Zoller on guitar, another sextet with Albert Mangelsdorff on trombone, and a group co-led with baritone saxoponist Lars Gullin.
A few great slices of work by Zoot Sims – material recorded over a variety of sessions for Pacific Jazz – but all of it pretty darn great! Sims wasn't as much of a west coast hornman as some of the other leaders on Pacific Jazz – so the array of tracks makes for some surprising moments, both in Zoot's career, and for the label. Side one of the album has Zoot playing with a Gerry Mulligan ensemble on titles that include "I'll Remember April", "Red Door", and "Flamingo". Side two features Zoot playing instrumentals that were cut at the same time as an Annie Ross vocal session – with a group that includes Russ Freeman on piano, Jim Hall on guitar, and Mel Lewis on drums. Titles on that one are "You're Driving Me Crazy", "Brushes", and "Choice Blues".