Kärki Konsertissa Panu Savolainen, Jaakko Kuusisto And Helsingin Kaupunginorkesteri

“The Beethoven concerto is a piece of overwhelming power,” says violinist Vilde Frang. “It is somehow more than music – the dimension of it feels almost cosmic. The force of this concerto takes me by surprise, over and over again.” Frang juxtaposes Beethoven’s epic, lyrical work with Stravinsky’s compact violin concerto, which pays spiky tribute to 18th century models. The conductor is Pekka Kuusisto, himself an adventurous violinist, in his role as Artistic Best Friend of the Deutsche Kammerphilharmonie Bremen. “It was the chamber musical qualities of the Beethoven concerto that provided the key for me,” says Frang.

This second album of early 19th century bassoon concertos by Jaakko Luoma and Tapiola Sinfonietta includes four delightful concerto gems written for Frans Carl Preumayr (1782-1853), proficient and talented bassoonist who moved to Stockholm in 1802. Probably the best-known of the works were written by his Finnish father-in-law Bernhard Henrik Crusell and Franz Berwald, Sweden's most famous composer of the Romantic period. However, the impressive bassoon concerto by the Swiss-born Edouard Du Puy has been very rarely heard. Also the German-born composer Eduard Brendler has been largely forgotten by music history. All four works are powerful, interesting, and demanding solo compositions which offer a thrilling journey into the musical life in one of the Nordic music capitals 200 years ago.

This second album of early 19th century bassoon concertos by Jaakko Luoma and Tapiola Sinfonietta includes four delightful concerto gems written for Frans Carl Preumayr (1782-1853), proficient and talented bassoonist who moved to Stockholm in 1802. Probably the best-known of the works were written by his Finnish father-in-law Bernhard Henrik Crusell and Franz Berwald, Sweden's most famous composer of the Romantic period. However, the impressive bassoon concerto by the Swiss-born Edouard Du Puy has been very rarely heard. Also the German-born composer Eduard Brendler has been largely forgotten by music history. All four works are powerful, interesting, and demanding solo compositions which offer a thrilling journey into the musical life in one of the Nordic music capitals 200 years ago.

This second album of early 19th century bassoon concertos by Jaakko Luoma and Tapiola Sinfonietta includes four delightful concerto gems written for Frans Carl Preumayr (1782–1853), proficient and talented bassoonist who moved to Stockholm in 1802. Probably the best-known of the works were written by his Finnish father-in-law Bernhard Henrik Crusell and Franz Berwald, Sweden’s most famous composer of the Romantic period. However, the impressive bassoon concerto by the Swiss-born Édouard Du Puy has been very rarely heard. Also the German-born composer Eduard Brendler has been largely forgotten by music history. All four works are powerful, interesting, and demanding solo compositions which offer a thrilling journey into the musical life in one of the Nordic music capitals 200 years ago.

This second album of early 19th century bassoon concertos by Jaakko Luoma and Tapiola Sinfonietta includes four delightful concerto gems written for Frans Carl Preumayr (1782–1853), proficient and talented bassoonist who moved to Stockholm in 1802. Probably the best-known of the works were written by his Finnish father-in-law Bernhard Henrik Crusell and Franz Berwald, Sweden’s most famous composer of the Romantic period. However, the impressive bassoon concerto by the Swiss-born Édouard Du Puy has been very rarely heard. Also the German-born composer Eduard Brendler has been largely forgotten by music history. All four works are powerful, interesting, and demanding solo compositions which offer a thrilling journey into the musical life in one of the Nordic music capitals 200 years ago.

John Corigliano's violin concerto 'The Red Violin' originated as the score to a film about a violin by one of the Old Italian master-builders, and its journeys around the world throughout three centuries. While working on the film score, Corigliano also produced a one-movement concert version of it, which he later expanded into a full-scale concerto in four movements. The son of a violinist, Corigliano’s aim was to write a concerto in a style his father would have wanted to play, and he has managed to do so without sacrificing any of the music's communicative qualities, or its wealth of colours, emotions and atmospheres.

John Corigliano's violin concerto 'The Red Violin' originated as the score to a film about a violin by one of the Old Italian master-builders, and its journeys around the world throughout three centuries. While working on the film score, Corigliano also produced a one-movement concert version of it, which he later expanded into a full-scale concerto in four movements. The son of a violinist, Corigliano’s aim was to write a concerto in a style his father would have wanted to play, and he has managed to do so without sacrificing any of the music's communicative qualities, or its wealth of colours, emotions and atmospheres. The work is coupled here with a concerto of a similar broad appeal, composed by Jaakko Kuusisto, who is a highly respected violinist in his own right, as well as conductor.

Pekka Kostiainen founder and leader of the Musica Choir, graduated from the Sibelius Academy in 1968 specializing in church music, and got his composition diploma in 1973. Pekka has worked as cantor-organist for Finnish congregation of Pohja and as a musicology teacher in the University of Jyväskylä.