Kid Yugi, Papa V

Kid Ory was one of the great New Orleans pioneers, an early trombonist who virtually defined the "tailgate" style (using his horn to play rhythmic bass lines in the front line behind the trumpet and clarinet) and who was fortunate enough to last through the lean years so he could make a major comeback in the mid-'40s. Originally a banjoist, Ory soon switched to trombone and by 1911 was leading a popular band in New Orleans. Among his trumpeters during the next eight years were Mutt Carey, King Oliver and a young Louis Armstrong and his clarinetists included Johnny Dodds, Sidney Bechet, and Jimmie Noone…

F.E.A.R. is the eighth studio album by American hard rock band Papa Roach. It was released on January 27, 2015. F.E.A.R. sold 24,425 copies in the United States in its first week of release to land at position No. 15 on the Billboard 200 chart, charting higher than their previous albums Time for Annihilation and The Connection, also outselling both of them. It is their first Top 15 album in UK since Lovehatetragedy. The album differs from the band's previous sound via the utilization of a "djent" tone in the guitar recordings.

Formed in 1965, the now legendary California band, Papa Doo Run Run, quickly discovered their forte - they sounded like the Beach Boys! That sound led them to surf music icons, Jan & Dean, and from 1976-80 Papa toured North America with the duo. In the 80s Papa graduated from J&D to the Beach Boys, and toured and recorded with members of that band throughout the next 2 decades. The group also had an unprecedented 15-year run as the "Celebrity House Band" at Disneyland from 1975-90! In the mid 80's Papa Doo became the darlings of corporate entertainment, performing at up to 150 corporate events a year! Their fun packed show is still a favorite of dozens of Fortune 500 companies. Their ground breaking CD “California Project” (1985) exploded onto the Billboard Hot 100 Chart at no. 17 and earned the band their second Gold Record and a Grammy Nomination.

Over the course of three albums and an EP, Ugly Kid Joe managed to parlay their pronounced Guns N' Roses fixation into something of a career. On their best songs – "Everything About You," "Neighbour," and "Milkman's Son" – they blended cartoon rebellion and a sense of humor best described as pre-adolescent into powerhouse singles full of tasteless good fun. Perfect for that time of life when all one wants to do is go around breaking things. Though routinely flagged as a hair band, their twin-guitar attack and fondness for funky, bottom-end heavy riffing also places Ugly Kid Joe among the forefathers of the late-'90s rap-metal explosion. As Ugly as They Wanna Be showcases the band in all their juvenile glory – from their surprise hit version of Harry Chapin's "Cat's in the Cradle" to their tight cover of Black Sabbath's "NIB" to "Busybee" – pretty much the best Guns N' Roses song Guns N' Roses never recorded – all the hits are here, present and accounted for.

Like many of even the most prolific and celebrated composers of the sixteenth century, Jacobus Clemens non Papa (‘not the Pope’) has offered the history books little factual material with which to work. In contrast to the paucity of biographical material, however, many sources of Clemens' music survive. Indeed, he is one of the most widely published musicians of the entire century with fifteen Masses, over two hundred motets, many Dutch psalms and French chansons to his name.

Kid Ory was one of the great New Orleans pioneers, an early trombonist who virtually defined the "tailgate" style (using his horn to play rhythmic bass lines in the front line behind the trumpet and clarinet) and who was fortunate enough to last through the lean years so he could make a major comeback in the mid-'40s. Originally a banjoist, Ory soon switched to trombone and by 1911 was leading a popular band in New Orleans. Among his trumpeters during the next eight years were Mutt Carey, King Oliver and a young Louis Armstrong and his clarinetists included Johnny Dodds, Sidney Bechet, and Jimmie Noone…

Sublime, brilliant, beautiful progressive art rockers with a Canterbury vibe and masterful extended tracks. Elements of Caravan, Soft Machine and Fuchsia, recorded in a London and Dublin studio in 1973 for a planned LP that never happened. 15 minute tracks that allow the band and compositions to develop and expand in the best way, sheer unadulterated progressive genius. Marvelous Kid are named after a line from Kipling, and use the one L spelling. They gigged constantly with bands like The Groundhogs,Stackridge, Stonehouse, Gentle Giant, and included members from the legendary Grannie and also Patto. Anyone into Genesis, Soft Machine, Caravan, Camel, Fuchsia, 25 Views Of Worthing et al should check this out. It's utterly brilliant extended prog. Seelie Court will issue more of their recordings soon. It's a joy to listen to this 100% authentic prog rock, from original reels.