Kid Yugi The Globe

Many so-called blues releases are actually filled with bluesy R&B, soul, pop, and rock. There is no such stylistic confusion in Sadie Mae from Nick Moss & the Flip Tops. The music is no-nonsense blues, played with spirit, drive, and swing. Most of the selections are concise, getting their message across and not overstaying their welcome. By varying tempos and moods plus including occasional instrumentals, the quintet performs enjoyable and memorable music, with an emphasis on cooking straight-ahead grooves. Lead voices are Nick Moss on guitar and vocals, harmonica player Gerry Hunot, and pianist Bob Welsh (doubling on organ), but the tight yet loose rhythm section is not to be overlooked either. This is a fun set, well worthy of several listens.

Freddie King, hard-driving and perhaps driven, was only 42 when he died on December 28, 1976. The intensity of the performances in this video suggest an artist who burned at full throttle every time he played. Guitarists as diverse as Eric Clapton and Jerry Garcia have cited King as a formative influence. Most of the clips in this collection come from a unique time warp, a fleeting moment when Southern R&B collided with mid-60s "Mod" and rendered a show called The!!!!Beat. Freddie King was 31 at the time of The!!!!Beat, playing and singing in prime form.

Another quality Time-Life music collection with 500 originals from the period 1955-1964, the so called "Rock'n'Roll Era". In addition of this wonderful classics' parade, you will acquire a R'n'R encyclopedia, since each CD comes with an extensive description and historical data, in a 6 page booklet, scanned at 600 dpi. Enjoy excellent music and artwork.

The Blues Masters series, much to Rhino`s credit, adopts an expansive definition of blues, allowing the likes of Count Basie, Blind Lemon Jefferson, Muddy Waters and even Louis Prima admission. There is none of the purist`s quibbling over strict 12-bar form or the relative significance of prewar and postwar styles.
What Rhino delivers instead is the blues in all its myriad guises. This music is old and new, black and white, acoustic and electric, folksy and jazzy, performed by women and men, and yet it is all still blues at its core.

In the '70s, harmonica man Billy Branch was one of the young upstarts helping to keep the Chicago blues sound alive; in the 21st century, he's matured into one of the Windy City's most venerable blues talents, and as a musician and educator, Branch has spread the word about the blues across the country and around the world. Branch has led the Sons of Blues, his backing band, since the mid-'70s, and despite numerous personnel changes, the SOBs have never wavered in their dedication to pure, unadulterated Chicago blues.