French exclusive version of the trip hop artist's 1997 debut album, featuring a bonus disc of remixes. Described as 'an irresistible romp through the light-hearted, pastoral side of trip-hop by way of orchestral-pop paragons like Bacharach, Gainsbourg and Love.' Featuring the vocals of the Pastels' Katrina Mitchell. In "A Grand Love Story," producer Kid Loco (real name: Jean Yves Prieur) has created the perfect downtempo album. His French trip-hop is laid-back and airy, but much warmer and sunnier than most such albums. Things get a bit odd in the middle, but it's never boring and never too strange.
Aaron Copland did as much as anyone in establishing American concert music on the world stage, and his ballet scores proved to be among his most important and influential works. Grohg is the most ambitious example of his Parisian years, a precociously brilliant one-act ballet scored for full orchestra, inspired by the silent expressionist film Nosferatu. The first example of Copland’s new ‘Americanized’ music of the 1930s was Billy the Kid, based on the life of the 19th century outlaw and heard here in its full version. This was the first fully fledged American ballet in style and content: brassy, syncopated, filmic and richly folk-flavoured.
2CD+DVD pressing. Radiohead's fourth album, and their first to debut at number one in America, also marks the start of their move into electronic experimentation. Kid A's sound is vastly different from the albums that preceded it, being heavily influenced by electronic music, jazz and Krautrock. At the time Kid A polarised critical opinion but is now considered one of the best and most important albums of its time and of Radiohead's career. The DVD features 3 videos from Later…With Jools Holland: 06/9/01. The CDs include the original album and a CD with footage from BBC Radio One Evening Session from 2000.
Editorial Reviews - Amazon.com Essential Recording
Happy is the composer who has an advocate as passionate and talented as Leonard Bernstein. These Copland performances have been the preferred versions since they were first issued–better even than the composer's own, later recordings… Bernstein brings to this music the right sharpness of rhythm but also a typically open-hearted warmth. He coaxes a virtuoso response from the New York Philharmonic, which knows this music as well (or better) than anyone. Self- recommending. –David Hurwitz
On her most accessible album yet, Kaitlyn Aurelia Smith draws out the organic qualities of her Buchla modular synth. But The Kid sparks a bodily pleasure alongside her music’s cerebral delights.