Kid Yugi The Globe

The Intergalactic Touring Band  Music

Posted by se5a at Oct. 17, 2009
The Intergalactic Touring Band

The Intergalactic Touring Band (1976)
Progressive Rock | MP3 cbr 320kbps | Art-Work | 89Mb

The Birthday Massacre - Violet (2005)  Music

Posted by cha77os at Oct. 12, 2017
The Birthday Massacre - Violet (2005)

The Birthday Massacre - Violet (2005)
Canada | MP3 CBR 320 Kbps | 106 MB
Electronic Rock, Gothic Rock | Label : Metropolis Records

Violet is an album by The Birthday Massacre. It was first released as an extended play (EP) in October 25, 2004, then commercially released in August 9, 2005 as a long play (LP) through Metropolis Records. The LP version included four re-recorded and slightly reworked tracks from their Nothing and Nowhere album: "Happy Birthday", "Horror Show", "Video Kid" and "The Dream".
Jelly Roll Morton - The Complete Library of Congress Recordings [8CD Box Set] (2005)

Jelly Roll Morton - The Complete Library of Congress Recordings [8CD Box Set] (2005)
8CD | EAC-Rip | FLAC-tracks +cue +log +NO COVERS | September 27, 2005 | 1.47 Gb
Genre: Jazz | RAR 3% Rec. | Label: Rounder Records | Hotfile, Fileserve

When folklorist Alan Lomax made these epic 1938 recordings of Jelly Roll Morton's reminiscences and piano playing, he was creating the first great oral documentation of early jazz. This material has never been issued with the care, sensitivity and completeness that it gets here, with the complete interviews and musical performances sequenced over seven CDs in the order in which they took place. Morton was almost as great a raconteur as he was a musician, and his accounts of New Orleans in the early years of the 20th century–from bordellos to riots to funeral parades–are vivid, bawdy, and sometimes hilarious. His accounts of the music and his performances, from "King Porter Stomp" to the lengthy "Murder Ballad," provide a brilliant window on the mechanics and progress of jazz in its earliest years.

VA - Kontor - Top Of The Clubs Vol. 40 (2008) [3 CD's]  Music

Posted by gns8503 at Jan. 8, 2014
VA - Kontor - Top Of The Clubs Vol. 40 (2008) [3 CD's]

VA - Kontor - Top Of The Clubs Vol. 40 (2008)[3 CD's]
MP3 | CBR 194 kbps | 3 CD | 01:19:50 + 01:18:24 + 01:19:42 | ASIN: B001D6K6GI | 29. August 2008 | 427 MB
Genre: Trance
Detroit Symphony Orchestra - The Essential Detroit Symphony Orchestra (2024)

Detroit Symphony Orchestra - The Essential Detroit Symphony Orchestra (2024)
FLAC (tracks), Lossless / MP3 320 kbps | 2:11:48 | 587 / 306 Mb
Genre: Classical

Like the city of Detroit itself, the Detroit Symphony Orchestra has had to deal with many difficulties, from disintegrating venues to financial crises. Through all of its trials and tribulations, the DSO has maintained a consistently high level of musicianship and technical skill, directly representative of the many distinguished conductors who have directed the group.
VA - All The Young Droogs: 60 Juvenile Delinquent Wrecks (2019)

VA - All The Young Droogs: 60 Juvenile Delinquent Wrecks (2019)
FLAC (tracks +cue) | 03:14:53 | 1,2 Gb
Genre: Rock / Label: Cherry Red

From the makers of the Junkshop Glam genre defining Velvet Tinmine, Glitterbest and Boobs compilations 60 tracks of the finest slices of JSG in its various guises, as established by collectors around the world over the past decade. Including tracks from the USA, New Zealand, Netherlands, Sweden, Iceland, Australia as well as homegrown UK. Some previously unreleased, many first time on CD.

The Fabulous Thunderbirds - 5 Disc (1981,86,87,97 & 2001)  Music

Posted by countryfreak at Aug. 27, 2010
The Fabulous Thunderbirds - 5 Disc (1981,86,87,97 & 2001)

The Fabulous Thunderbirds - 5 Disc (1981,86,87,97 & 2001)
EAC Rip | FLAC (Image) + CUE + LOG | 1.6 GB | Covers Included
Genre: Rock/Blues-Rock/Texas Blues | RAR 5% Rec. | RS.com

Biography by Stephen Thomas Erlewine
With their fusion of blues, rock & roll, and R&B, the Fabulous Thunderbirds helped popularize roadhouse Texas blues with a mass audience in the '80s and, in the process, they helped kick-start a blues revival during the mid-'80s. During their heyday in the early '80s, they were the most popular attraction on the blues bar circuit, which eventually led to a breakthrough to the pop audience in 1986 with their fifth album, Tuff Enuff. The mass success didn't last too long, and founding member Jimmie Vaughan left in 1990, but the Fabulous Thunderbirds remained one of the most popular blues concert acts in America during the '90s.
Guitarist Jimmie Vaughan formed the Fabulous Thunderbirds with vocalist/harpist Kim Wilson in 1974; in addition to Vaughan and Wilson, the band's original lineup included bassist Keith Ferguson and drummer Mike Buck. Initially, the group also featured vocalist Lou Ann Barton, but she left the band shortly after its formation. Within a few years, the Thunderbirds became the house band for the Austin club Antone's, where they would play regular sets and support touring blues musicians. By the end of the decade, they had built a strong fan base, which led to a record contract with the local Takoma Records…..
The Nash Ensemble - American Chamber Music: Herrmann, Gershwin, Waxman, Copland (2015)

The Nash Ensemble - American Chamber Music: Herrmann, Gershwin, Waxman, Copland (2015)
EAC | FLAC | Image (Cue&Log) ~ 292 Mb | Mp3 (CBR320) ~ 177 Mb | Scans included
Genre: Classical | Label: Hyperion | # CDA68094 | Time: 01:15:36

This programme features concert music by composers who also wrote film scores for Hollywood. While this was just one string to the considerable bows of Gershwin and Copland, Bernard Herrmann and Franz Waxman are best known for their music for Hitchcock films (Vertigo, North by Northwest, Marnie and Psycho for Herrmann; and Rebecca and The Paradine Case for Waxman). Centre stage is Gershwin’s Song-book, arranged by the composer for solo piano in order to present the songs ‘as George Gershwin plays them himself’.
Graham Parker - These Dreams Will Never Sleep: The Best Of Graham Parker 1976-2015 (2016) {6 CDs & 1 DVD9}

Graham Parker - These Dreams Will Never Sleep: The Best Of Graham Parker 1976-2015 (2016) {6 CDs & 1 DVD9}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 2.45 Gb
DVD9 -> 6.88 Gb | All Regions | NTSC 4:3/16:9 | LPCM, 2 ch | ~ 147 min | ISO Image
Full Artwork @ 600 dpi (jpg) -> 907 Mb | 5% repair rar
© 2016 Universal Music Catalogue | 00600753713037 / 5371303
Rock / Pub Rock / New Wave / Singer-Songwriter

Career retrospective from Pub Rock’s angriest man Graham Parker, spread over 6 CDs with a DVD featuring a live set at the Brook Southampton from last year’s final tour with the Rumour…LTW’s Ian Canty looks at 40 years of Camberley’s very own Punk Soul brother….. It wasn’t very promising on the face of it. A resentful 25 year old garage pump attendant with a run through the 60s from Mod to Hippy behind him and a headful of dreams about Van Morrison and Dr Feelgood, matched up with what might have been the cream of the Pub Rock scene. But this was after all of their respective bands had singularly failed to make an impact, so together, in 1976, they stood at the doors of the Last Chance saloon. What wasn’t expected was that with their musical power allied to the petrol pump punk’s lyrical smarts and alarming stage presence, they would blow the doors off the hinges. Ladies and gentleman, I give you Graham Parker and the Rumour.

The Future Kings Of England - Who Is This Who Is Coming? (2011)  Music

Posted by gribovar at Oct. 22, 2023
The Future Kings Of England - Who Is This Who Is Coming? (2011)

The Future Kings Of England - Who Is This Who Is Coming? (2011)
EAC Rip | FLAC (image+.cue+log) - 216 MB | MP3 CBR 320 kbps (LAME 3.93) - 98 MB | Covers - 64 MB
Genre: Progressive/Psychedelic Rock | RAR 3% Rec. | Label: Backwater Records/Key Production (KEY OLKCD021)

Suffolk-based rustic psych-rockers The Future Kings Of England offer on their fourth album the soundtrack for a creepy ghost story written in 1904 by MR James, in which a sceptical professor has his certainties rattled when he finds a Bronze Age whistle and with it summons up… who knows what? A ghost? Evil spirit? Teasingly, the written extracts never fully explain, which is all to the good. Save for a few brief lines in two tracks, it's entirely instrumental, the band skilfully blending the bucolic with the eerily industrial into a vivid series of doomscapes. They stray at times into boggy progginess, but at their best ("The Globe Inn", "Convinced Disbeliever") they have the steady, unhurried manner of Pink Floyd en route to some grand epiphany.