Kammerflimmern 2004

English listeners went mad for Katie Melua with the release of her debut album in late 2003. Issued domestically in June 2004, Call Off the Search posits the lovely Melua pristinely in between pop, adult contemporary, and traditional American musical forms, with savvy marketing handling the finishing touches. (Think Norah Jones.) It's a comfortable, lightly melodic affair that drinks red wine safely in the middle of the road. Raised in Soviet Georgia and the United Kingdom, Melua has a beguiling accent that colors the ends of her phrases, adding character to her velvety, if occasionally only satisfactory singing voice.

Ringo Starr, continuing to recognize a good thing when he sees it as he did back in 1962, is still organizing all-star (or "All-Starr") bands and touring regularly with them. This disc melds a concert performance at the Casino Rama in Ontario, Canada with a good deal of backstage documentary-style footage…

Talk to any connoisseur of '70s-era double live albums, and many will agree that Steve Hillage's Live Herald, recorded and released in 1977-1978, rates among the finest jewels that the genre has to offer. So it's astonishing to discover that someone has spent the last 25 years sitting on tapes that knock that set into the dust, both in terms of on-stage excitement and aural enjoyment. Live at Deeply Vale Festival '78 transports the listener back to one of the last truly great festivals staged in the U.K. that decade, a weekend's worth of music that fearlessly ranged across both the traditional rock range and the upcoming punk movement, before climaxing with a Hillage set that the guitarist himself reflects, "[sounds] as exciting now as Live Herald was back then."

This 16-track set from Be Bop Deluxe's short but productive four-year, six-album career captures a handful of highlights from each release, and adds both sides of a rare 1973 single, which see their first CD appearance. Oddly those two songs close the disc, which otherwise is in strict chronological order as it traces the band's evolution from its vaguely glam roots to a more progressive-minded entity that could also churn out snappy near-hits. The specter of David Bowie is never far from the spotlight, especially given that singer/songwriter/frontman Bill Nelson (who also pens witty and reflective liner notes) sounds a lot like Ziggy Stardust. The music also approximates various aspects in Bowie's career, although the synths and general production seem not to have fared quite as well…

Those who know Zeffirelli's style won't be surprised by the conventionally lavish production, but it effectively evokes the atmosphere of religious oppression and personal antagonisms Verdi so unerringly depicts. The dark-hued, threatening setting fits Muti's energetic, rhythmically vital conception. He quickens the emotions in a peculiarly Italianate way, and throughout evinces a feeling for the colouring of the score. His reading is in turn a good background for some thoughtful and idiomatic singing.

Scraping the Barrel, 12 hours of music, compiled, cleaned and edited by dedicated Gentle Giant fan & friend Dan Bornemark between 1998 and 2004. As the title indicates, this is it, the best of the rest. The box-set contains 3 CD's and a data disc, a good solution even so my personal choice which tracks to put on the data disc (128 K/bit for the majority) would have been slightly different…