Kammerflimmern 2004

The Front Row Club was a subscription-only service by which CD's of raw concert recordings, originally made by the band for their own reference, were released. Members paid for a subscription (initially lasting six releases; later reduced to four releases), and as the shows were released, they were automatically mailed to members. There were also occasional optional releases, which were only mailed on request - these were generally reissues of previously released material. The only FRC issue which was available to non-subscribers was the Curtain Call box set - this was the only FRC release of material before Steve Hogarth joined the band, and was sold via both Marillion and Fish's online stores, as well as being an optional FRC release.

Released in 2004. Featuring: Queen, Elton John, Abba, Bee Gees and Many More! EMI. 2004.

Nice price 3-CD set on the Disky label from the legendary Edith Piaf. 2005.

Previously unreleased double CD from one of the giants of Brazilian Music featuring highly sought after versions of Milton classics recorded between 1974 and 81. Featuring classic Milton tracks such as ‘Os Escravos De Jó’, ‘Ponta de Areia’, ‘Minas’, and ‘Maria Maria’, Milton considers these the ‘definitive’ versions of his classics.

Paul McCartney's Glastonbury Groove is a compilation album of some of Paul McCartney's favourite songs. It was released by Uncut in their 2004 issue on McCartney. The album was compiled by Paul himself. UNCUT Magazine July 2004.

Triple-disc collection from Virgin Records featuring acoustic tracks from Al Stewart, America, Bert Jansch, Bob Dylan, Buffy Saint-Marie, David Gray, Don McLean, Kirsty MacColl, Gary Jules, Rickie Lee Jones, Paul Mc Cartney, Tracy Chapman, Jim Croce and many more. 2004.
Here’s a 65 track, 3 x CD compilation of ‘acoustic’ tracks from the 1950s through to the early 2000s. By far, one of the best compilations out there with well known hits brilliantly placed together with lesser known classics that didn’t always trouble the chart placings. There certainly isn’t a ‘filler’ track on any of the discs and even the more ‘folky’ disc 3 is superbly constructed to keep the listener enthralled throughout.

Step into a world where music speaks without words. "Instrumental Memories are Made of This: 54 Timeless Melodies" is a collection that transcends time, capturing the essence of unforgettable tunes through the purity of instrumental artistry.
This album brings together 54 iconic melodies, each carefully selected to evoke memories and emotions that have touched our lives. From the soothing sounds of classic piano compositions to the uplifting strains of orchestral arrangements, every track is a journey into the heart of music. Whether you are reminiscing about the past or creating new memories, this album provides the perfect soundtrack. Its rich variety of genres and styles ensures there’s something for everyone. Imagine the warmth of a Sunday afternoon with the gentle hum of these timeless pieces in the background, or the quiet solace of a reflective evening with these melodies to keep you company. Perfect for relaxing, studying, or simply enjoying the beauty of music, "Instrumental Memories are Made of This" is more than just an album; it’s an experience. Let the music play, and allow these 54 timeless melodies to weave into the fabric of your daily life, making each moment a bit more special. Rediscover the joy of instrumental music with this exquisite collection, and let each track remind you of the beauty and power of melodies that truly stand the test of time.

Strange Brew: Weird & Wonderful Covers From the Atlantic & Warner Vaults Review by Jason Ankeny
Much of what's so great about the soul-jazz of the late 1960s and 1970s is the jazz community's embrace of contemporary pop and rock & roll – purists blanched, of course, but a new generation of musicians recognized the potential in the melodies and rhythms that dominated AM radio, setting out to reinvent these songs by seizing and expanding their undeniable groove. Strange Brew: Weird & Wonderful Covers From the Atlantic & Warner Vaults collects some of the most imaginative and unexpected renditions to emerge from the WEA roster – the unfortunate subtitle may suggest the material boasts little more than novelty value, but to the contrary, much of it is genuinely compelling, not to mention genuinely funky. If there's a common modus operandi at work here, it's maintaining just enough trace elements of the original to keep a given song familiar, but twisting and stretching it far enough to create something fresh and new – highlights include Rahsaan Roland Kirk's "My Girl," Ananda Shankar's "Jumpin' Jack Flash" and Jack McDuff's "Blowin' in the Wind."

The Encore Series consists of Official “Bootleg” style recordings from Peter Gabriel shows, recorded directly from the soundboard (with added ambient microphones) by Ben Findlay (Real World staff engineer) and released as a professionally mastered and manufactured 2 CD set (no CD-R's). They come in a gatefold package with artwork designed for the Encore Series by Real World and are unique for each concert, and city.Track 1-1 is "Here Comes The Flood", sung in German.