Saxophonist turned jazz pianist Marc Copland has been busy recording for a Switzerland based record label. He continues his high level of musicianship with his core trio, along with tenor saxophonist Michael Brecker and guitarist John Abercombie, both performing on selected tracks. Copland possesses a sensitive touch, while also residing as a well-versed swing and bop pianist.
During the seven year span at Riverside that launched his career, Bill Evans only twice recorded outside his customary trio format: in the summer of 1962, when he went into the studio in quintet settings involving some of the major jazz artists of the period. The results are combined in this package. #1-6 originally issued as Interplay (Riverside 445). #7-13 originally issued as part of The Interplay Sessions double-LP (Milestone 47055), as previously unreleased selections.
This is a fine compilation of Jackie Gleason's output for Columbia. Gleason's objective was to make "musical wallpaper" that should never be intrusive, but rather conducive. He was not musically literate, but never had a problem articulating what he wanted to hear from his orchestra. The music here is quiet, melancholy, and often somber, played at mostly moderate to slow tempos. Each selection seems to flow into the next, achieving Gleason's goal of unobtrusiveness. Collectors may be more interested in seeking out the original LPs that comprise the material here, but for those looking for two CDs worth of some of the most relaxing music ever recorded, this is the place to start.