Karajan Bruch

Herbert von Karajan was an Austrian conductor. He was principal conductor of the Berlin Philharmonic for 34 years. During the Nazi era, he debuted at the Salzburg Festival, with the Vienna Philharmonic, the Berlin Philharmonic, and during World War II he conducted at the Berlin State Opera. Generally regarded as one of the greatest conductors of the 20th century, he was a controversial but dominant figure in European classical music from the mid-1950s until his death. Part of the reason for this was the large number of recordings he made and their prominence during his lifetime. By one estimate, he was the top-selling classical music recording artist of all time, having sold an estimated 200 million records.

Ms. Mutter makes the violin sing in this fine collection of violin concertos recorded with the Berlin Philharmonic. Ms. Mutter was discovered by Herbert von Karajan at age 13, declared by him as "the greatest musical prodigy since the young Menuhin" and played with the Berlin Philharmonic as a teenager. The two Mozart concertos were recorded when she was only 15. The other concertos were recorded before she was twenty years old. My favorite is the Mendelssohn concerto. Ms. Mutter plays its haunting theme with elegance,flair and fire. Her passion and precision are evident through the difficult passages. Married to conductor Andre Previn, who wrote a violin concerto for her, Ms. Mutter never fails to intrigue her audience, making her vioin sing with colorful, soulful voices.

The Berlin Philharmonic is consistently ranked as one of the greatest orchestras in the world. As is fitting such an eminent orchestra, they consistently work with the world's most renowned conductors and soloists, and this collection shows these great musicians coming together in eight classic recordings.

There were occasions during the three decades when the LP record ruled supreme - from the 1950s to the 1970s - when the chemistry between an orchestra, its conductor and their record company combined to work a magic that the commitment of long-term recording contracts quite often made possible. Karajan and the Philharmonia; Ansermet and the Suisse Romande; Dorati and the Minneapolis; Münch and the Boston Symphony, Cluytens and the Paris Conservatoire and Previn and the London Symphony are all prime examples of such collaborations. All of these produced recorded performances that are as fine today as they ever were and are all well-represented in the current CD catalogues. Until now there has been one successful recording collaboration that seems almost to have slipped under the radar: the Pittsburgh Symphony, William Steinberg and the Capitol Records producer, Richard C. Jones.

An inspiring, authoritative, chronological overview of one of the defining label-orchestra relationships, documenting 100 years of recording between two giants in music, the Berliner Philharmoniker and Deutsche Grammophon, from 1913 to 2013.

Ce CD ravira les fans de la violoniste prodige (à partir de sa cinquième année) Anne-Sophie Mutter, dont Herbert von Karajan fut le découvreur et le mentor, dès qu'elle atteignit l'âge de 13 ans. D'ailleurs, ce dernier est présent pour un bon nombre des plages de ce disque - à la tête des Berliner Philharmoniker. Mais, il ne faut pas oublier de signaler aussi la présence d'un autre grand de la direction d'orchestre : l'américain James Levine, avec les Wiener Philharmoniker.

Sixty-five years since Pierre Fournier first recorded for Decca, DG is proud to celebrate the artistry of this most distinguished of cellists and his wealth of recordings for Deutsche Grammophon, Decca and Philips – presented here together for the very first time in this 25-CD box set!

A 50-CD set of legendary recordings celebrating the world-renowned Decca Sound. Classic-status pioneering stereo recordings from the past 60 years and starring a galaxy of internationally-acclaimed artistic talent.