Karen Ashbrook

Karen Elson (born 14 January 1979 in Bolton, Lancashire, England) is a British supermodel.

A half-century after the release of Karen Dalton's cult classic second album, In My Own Time sounds as magical as it always has; it was never—despite the album's title—that she was ahead of her time, but rather not of this world. Which is not to say she was some ethereal creature. After a whole life lived in her teenage years, married twice and with two kids, Dalton moved from Oklahoma to New York City to be part of the Greenwich Village 1960s folk scene alongside the likes of Tim Hardin and Neil Young. Bob Dylan called her one of his favorites, saying "Karen had a voice like Billie Holiday."

Six British women swap their everyday lives for life as Tribal Wives in some of the most remote communities on earth. Like many women today juggling career, home and family, they feel that something is missing. By spending time in societies where female roles are very different they hope to find answers that could change their lives.

Six British women swap their everyday lives for life as Tribal Wives in some of the most remote communities on earth. Like many women today juggling career, home and family, they feel that something is missing. By spending time in societies where female roles are very different they hope to find answers that could change their lives.

Florilège de ses écrits de jeunesse, ce recueil révèle l’ADN de son œuvre, qui dès ses débuts a fait entendre la voix des personnes ensilencées : celles emportées par l’épidémie du sida comme celles victimes de violences sexistes et sexuelles. Pionnière sur les questions de culture du viol, de trauma et de santé mentale, Karen Finley, pour la première fois traduite en France, frappe par sa langue incendiaire et son regard d’une redoutable acuité.

This autumn, intermingled melodies could be heard under the round arches of Noirlac Abbey, amongst which the strains of both Schubert’s “Trout” and Ellington’s famous “Take the ‘A’ Train” were recognisable. Karen Vourc’h, Thomas Savy, Louis Rodde and Guillaume de Chassy enjoyed navigating between the waters of the Lied and the Jazz Standard to produce this outstanding project connecting two geniuses of melody with intelligent arrangements and improvisational extravagance. And, as ever, hidden behind the old stones, a B Records microphone is there to let you share in this musical journey.