As we all learned from watching There Will Be Blood, ambition can be a good thing and a bad thing. On her fourth solo album, Carnival, Kasey Chambers seemed determined to move past the country influences that dominated her earlier work, and while she proved more than worthy to the task, the album also upped the creative ante in a way that raised unspoken questions about what Chambers would or could do for an encore. So the surprise is that for album number five, Chambers has seemingly taken a step back – Rattlin' Bones is a spare, primarily acoustic set she wrote and recorded in collaboration with former Pretty Violet Stain vocalist Shane Nicholson (who also happens to be Chambers' husband)……
As we all learned from watching There Will Be Blood, ambition can be a good thing and a bad thing. On her fourth solo album, Carnival, Kasey Chambers seemed determined to move past the country influences that dominated her earlier work, and while she proved more than worthy to the task, the album also upped the creative ante in a way that raised unspoken questions about what Chambers would or could do for an encore.
On Barricades & Brickwalls, Kasey Chambers exceeds the high standards that critics had already attached to her even at age 25. The instrumental tracks, raw and unpretentious, provide an ideal setting for her vocals, whose hint of world-weary reflection suggests significant growth even in the brief span of time since her American debut, The Captain. The material is presented concisely, never so much as a verse too long…