Kate Bush – The Other Sides

One of two paired box sets chronicling the entirety of Kate Bush's recorded work as of 2018, Remastered, Vol. 2 features upgrades of the three albums since 2005: Aerial, Director's Cut, and 50 Words for Snow. In addition to these records, Remastered, Vol. 2 contains four CDs of non-album tracks, featuring a disc of 12" mixes, two discs of B-sides (labeled "The Other Side"), and a disc of covers (called "In Others' Words")…

'The Other Side’, is a 4 CD collection of b sides, 12” mixes, rare tracks and cover versions – with one CD being devoted to covers including Kate’s versions of Elton John’s ‘Rocket Man’ and ‘Candle In The Wind’, and George and Ira Gershwin’s ‘The Man I Love’. Rare tracks such as ‘Brazil’, from the film soundtrack, ‘Lyra’ from the film ‘The Golden Compass’, ‘Be Kind to My Mistakes’ from Nic Roeg’s film ‘Castaway’ and ‘Humming’, an early demo never released before, are also featured in the special set.

‘Vigil in a Wilderness of Mirrors,’ Fish’s first solo album post-Marillion, originally released in 1990, has been remixed by Calum Malcolm for 2024. This new remix breathes fresh energy and dynamics into the album, giving it a new lease on life. The remix highlights fan-favorite tracks like ‘Cliché’ and ‘The Company,’ and celebrates the album’s enduring legacy as Fish embarks on a new chapter.

‘Vigil in a Wilderness of Mirrors,’ Fish’s first solo album post-Marillion, originally released in 1990, has been remixed by Calum Malcolm for 2024. This new remix breathes fresh energy and dynamics into the album, giving it a new lease on life. The remix highlights fan-favorite tracks like ‘Cliché’ and ‘The Company,’ and celebrates the album’s enduring legacy as Fish embarks on a new chapter.

Sonny Sharrock - Highlife (1990) {Enemy EMY 119-2}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 302 Mb | MP3 @320 -> 105 Mb
Full Artwork @ 300 dpi (jpg) -> 9 Mb | 5% repair rar
© 1990 Enemy Records | EMY 119-2
Jazz / Fusion / Avant-Garde Jazz / Guitar

Highlife was Sonny Sharrock's first studio album in three years, and it bore witness to several slight modifications in the guitarist's approach. Gone were bassist Melvin Gibbs and drummer Pheeroan akLaff, who had moved on to other projects; they were replaced by Charles Baldwin and Lance Carter, respectively, who joined additional drummer Abe Speller. Dave Snider's Korg synthesizer also makes its studio debut (he had appeared on the Live in New York set), which immediately makes the overall ensemble sound simultaneously brighter and tinnier. Even past the added timbre of the keyboards, Sharrock seems to be searching for ways to push his music forward, as he begins going farther afield for material and revisiting his past in the process.