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Werner Heinrich Schmitt, born in Mannheim in 1961, began to study the piano in boyhood, and soon started to compose as well. Since then he has earned his living as a pianist, writing music as time permitted. This first album of his works reveals a composer of considerable substance, particularly in the two moving song-cycles that book-end this album. The sensitivity and resourcefulness of Schmitt's aural imagination are confirmed in the chamber and piano pieces heard here. Some are infused with joy, others with sorrow, but they all speak a musical language that aims to speak to the listener directly.

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The second installment of Omnivore's four-volume The Ru-Jac Records Story concentrates on music recorded between 1964 and 1966, and as this opens with four sides recorded by Brenda Jones, a singer who had three on the previous Something Got a Hold on Me, Get Right immediately feels quite similar to its predecessor. As its 22 tracks unfurl, some crucial differences can be heard, in great part due to the inclusion of the great Southern soul singer Arthur Conley. He migrated up to Baltimore from his native Georgia and fell into the circles surrounding Ace Promotions, which was at the epicenter of Ru-Jac.

Throughout the '60s and into the '70s, it's apparent that Ru-Jac was intent on keeping its finger on the pulse of contemporary R&B;, to the point of mimicking current acts that were enjoying mainstream popularity. I can't pretend that the artists known as Gene & Eddie weren't an attempt to create another Sam & Dave, and the tight funk of their single "I Tell You" is a wonderful track, but an almost overly obvious nod to Stax's legendary duo. Likewise, Winfield Parker's "She's So Pretty" (from Volume 4) is a fantastic dancefloor stomper obviously inspired by Wilson Pickett singles like "Land of 1,000 Dances".