Keeping The British End Up

Jonesy are one of the great British Progressive Rock bands of the early 1970s who, despite recording some of the most impressive and intelligent music of the era, sadly failed to make a commercial impact. The band was formed in 1971 by guitarist John Evan-Jones, who emigrated to Australia with his brother Trevor in the 1950s. By the mid-1960s, the Jones brothers had formed the band Chaos And Co and had enjoyed success. Returning to the UK in 1969, John forged a career as a session guitarist but by 1971 had formed Jonesy with Jame Kaleth (mellotron, keyboards, vocals), David Paull (bass, vocals) and Jim Payne (drums, percussion).

Jonesy are one of the great British Progressive Rock bands of the early 1970s who, despite recording some of the most impressive and intelligent music of the era, sadly failed to make a commercial impact. The band was formed in 1971 by guitarist John Evan-Jones, who emigrated to Australia with his brother Trevor in the 1950s. By the mid-1960s, the Jones brothers had formed the band Chaos And Co and had enjoyed success. Returning to the UK in 1969, John forged a career as a session guitarist but by 1971 had formed Jonesy with Jame Kaleth (mellotron, keyboards, vocals), David Paull (bass, vocals) and Jim Payne (drums, percussion).

Jonesy are one of the great British Progressive Rock bands of the early 1970s who, despite recording some of the most impressive and intelligent music of the era, sadly failed to make a commercial impact. The band was formed in 1971 by guitarist John Evan-Jones, who emigrated to Australia with his brother Trevor in the 1950s. By the mid-1960s, the Jones brothers had formed the band Chaos And Co and had enjoyed success. Returning to the UK in 1969, John forged a career as a session guitarist but by 1971 had formed Jonesy with Jame Kaleth (mellotron, keyboards, vocals), David Paull (bass, vocals) and Jim Payne (drums, percussion).

Finding that luck, love and letting things roll works out for him just fine, Michael Head leads his Red Elastic Band into a fresh chapter with optimism and some of the best music of his career, with his new, Bill Ryder-Jones-produced album, Dear Scott via Modern Sky UK.

Wake Up the Nation is the tenth studio album from Paul Weller and was released on 19 April 2010. It was nominated for the 2010 Mercury Music Prize. The albums was dedicated to “absent friends – John Weller, Pat Foxton and Robert Kirby”. It is the first of Weller’s albums since 1982 to feature contributions from Bruce Foxton, formerly of The Jam. Weller told Mojo magazine: “We’d both lost loved ones and without getting too spiritual that was the spur of it. I spoke to him this time last year when his wife Pat was ill and that broke the ice, then I invited him down to Black Barn (studio). There was no big plan, it was easy, a laugh, and nice to see him and work together again. We just slipped back into it.” The album has been remixed for the 10th anniversary.

Various Artists - Piccadilly Sunshine, Volumes 1-10: A Compendium Of Rare Pop Curios From The British Psychedelic Era (2015)
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© 1964-71, 2015 Rubble | RUBCDBOX3
Rock / Psychedelia / Psychedelic Rock / British Psychedelia / Pop Rock / Mod

Serving to embrace the floral heavens of British pop, this edition combines the first ten prized volumes of the acclaimed Piccadilly Sunshine series, originally released from 2009 to 2012. Celebrating the obscured artifacts of illustrious noise that emerged from the Great British psychedelic era and beyond, it is the essential guide to the quintessential sound of candy-colored pop from a bygone age. Includes over 200 tracks from 1964-1971, with an enhanced bonus disc containing rare tracks and images. Includes 84-page full-color booklet with rare photos, detailed biographies, and full discographies.

The act with the first arena-sized sound in the electronica movement, the Chemical Brothers united such varying influences as Public Enemy, Cabaret Voltaire, and My Bloody Valentine to create a dance-rock-rap fusion which rivaled the best old-school DJs on their own terms – keeping a crowd of people on the floor by working through any number of groove-oriented styles featuring unmissable samples, from familiar guitar riffs to vocal tags to various sound effects. And when the duo (Tom Rowlands and Ed Simons) decided to supplement their DJ careers by turning their bedrooms into recording studios, they pioneered a style of music (later termed big beat) remarkable for its lack of energy loss from the dancefloor to the radio. Chemical Brothers albums were less collections of songs and more hour-long journeys, chock-full of deep bomb-studded beats, percussive breakdowns, and effects borrowed from a host of sources. All in all, the duo proved one of the few exceptions to the rule that intelligent dance music could never be bombastic or truly satisfying to the seasoned rock fan; it's hardly surprising that they were one of the few dance acts to enjoy simultaneous success in the British/American mainstream and in critical quarters.

Join #1 Billboard Blues Artist, Joanne Shaw Taylor, for a historic concert at the Franklin Theatre. This amazing performance features songs from her highly acclaimed release, The Blues Album, in addition to fan favorites and never-before-heard tracks. Guest appearances include GRAMMY-nominated recording artist Joe Bonamassa (who produced The Blues Album), Kenny Wayne Shepherd, and Mike Farris, giving attendees a once-in-a-lifetime concert experience.