Kin

Kin Ping Meh are not your typical Krautrock band. Although they're quite frequently labelled as such, theor sound is more akin to Art Rock, or "Hard Prog," like in the case of Birth Control. Kin Ping Meh, whose name was of Chinese origin, was founded in 1970 in Mannheim as a quintet featuring Joachim Schaffer, Werner Stephan, Torsten Herzog, Kalle Weber, and Joachim Schafer. In their early years, Kin Ping Meh performed many covers by bands like Blood, Sweat & Tears, Deep Purple, The Steve Winwood Group, etc… Soon, they were discovered by Polydor records, who signed them immediately. Schaffer left before the first album was recorded, but was replaced by Willie Wagner, who wrote perhaps their most famous track, "Fairy Tales."
This box set edition presents 4 1/2 hours of only unreleased stuff, which should be interesting not only for KPM fans…

Looking like something reissued by Akarma (but creeping out on Polydor), Kin Ping Meh's self-titled 1971 effort is dripping with Deep Purple-esque organ and guitar, as well as a healthy dose of CSN&Y vocal harmonies. Like many B-list or C-list rock outfits of the period, Kin Ping Meh were adept, but lacking that extra ooomph that would have pulled them out of obscurity. The rockin' numbers were by-the-book chuggers, save for the somewhat exceptional "Everything" and though they did delve into proggy, string-laden sprawlers on occasion ("My Dove"), most of the album's content is simply adequate and marginally derivative of the heavier hitting acts of the early '70s.

Kin Ping Meh is a German rock band originally active from 1970 to 1977, and reformed in 2005. Their name is derived from Franz Kuhn's German translation of the Chinese novel, Jin Ping Mei…

Despite the innovation, many PMG fans have nostalgically longed for the return of more accessible material. Kin (<–>), the Unity Band's sophomore outing, should please fans of all Metheny stripes. The band is now a quintet with multi-instrumentalist Giulio Carmassi. He plays piano, strings, brass, winds, vibes, voice, and more. While the frontline remains the guitarist and Potter, the rhythm section of Williams and Sanchez is fluid in earthy and ethereal modes, seamlessly providing grooves and force, often simultaneously. Carmassi's contributions balance melody, form, texture, and interactive dynamics. Metheny's ability to convey an almost hummable sense of melodic euphoria was at the heart of the PMG's sound.

Excellent addition to any prog rock music collection
Soul is dead’, stated Embryo on it’s debut album in 1970. Yet fellow Germans Kin Ping Meh might have proved them wrong with their pleasant eclectic rock debut.