King And The Mockingbird

Little Richard was not the only original rock & roller to attempt a comeback in the late '60s and early '70s, but he may have been the one to take the greatest musical risks. Fats Domino merely updated his sound (albeit in a charming fashion), Jerry Lee Lewis refashioned himself as a hardcore country singer, and Chuck Berry pandered with "My Ding-A-Ling," but Little Richard pushed himself on his three albums for Reprise, all of which were collected – along with his contributions to Quincy Jones' 1972 Dollar$ soundtrack album, non-LP singles, session outtakes, and a complete unreleased album from 1972 called Southern Child – in 2005 by Rhino Handmade for the triple-disc set The King of Rock and Roll.

Various Artists - The Sue Records Story: New York City - The Sound of Soul (1957-1966) {4CD Box Set EMI Records rel 1994}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 820 Mb | MP3 @320 -> 540 Mb
Full Artwork @ 300 dpi (jpg) -> 130 Mb | 5% repair rar
© 1957-66, 1994 Sue Records / EMI Records | 7243 8 28093 2 6
Rhythm & Blues / Soul / Jazz / Early R&B / Soul Jazz

This four-CD, 100-song set is the best representative body of work ever assembled (or ever likely to be assembled) of the R&B and soul releases from Henry "Juggy Murray" Jones' Sue Records. The range of sounds runs the gamut from ex-Drifter Bobby Hendricks' first hit for the company ("Itchy Twitchy Feeling") in 1959, through the string of hits by Ike & Tina Turner, to the company's last hits some seven years later. Not only is every chart single that the label ever had represented, but so are club hits from the mid-'60s and solo sides by uniquely New York-associated figures. The contents of the box are almost ideal, along with their arrangement – in contrast some other box sets, this one follows strict release order, which is a great way to follow the history of the label (though not ideal for anyone, apart from owners of multi-disc players, who simply wants to hear the label's best-known tracks in one sitting).

Celebration of the mid-60s Swinging London scene at its brash, colourful zenith. A cornucopia of club-friendly mod R&B/soul, era-defining pop hits and cult TV/film themes as England swung like a pendulum do.

These 20 CDs comprise over 25 hours of music captured on-stage in the 1940s, ‘50s, and ‘60s at KWKH’s legendary Louisiana Hayride radio show. Staged live in Shreveport, the Hayride featured national country music stars, soon-to-be legends, regional break-outs, and talented newcomers. Most of this music has not been heard since the day it was broadcasted.

The George Lewis Band Of New Orleans - Jazz At Preservation Hall IV (1962) {2013 Japan Jazz Best Collection 1000 Series 24bit remastered}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 195 Mb | MP3 @320 -> 87 Mb
Full Artwork @ 600 dpi (png) -> 163 Mb | 5% repair rar | 24bit remaster
© 1962, 2013 Atlantic / Warner Japan / WEA / Rhino | WPCR-27393 | Jazz Best Collection 1000 Series
Jazz / New Orleans Jazz / Jazz Blues / Clarinet

Features 24 bit remastering and comes with a mini-description. This is the music that will be playing when you die and go to heaven. Excellent original style Dixieland, George's clarinet is heaven! I don't know if any record can do justice to the live experience of the original giants of jazz creating this stuff. But the George Lewis tracks on this record come pretty close! For this alone this CD is well worth buying.

Charlie Watts “Anthology” is an affectionate retrospective and a reflection of just how frequently Watts was able to exercise his jazz muscles between Rolling Stones commitments to create a bespoke discography of his own. Including 3 unreleased tracks. The names of Charlie's jazz heroes fell from his lips like a superfan turning the pages of a personal scrapbook. Charlie Parker, Gerry Mulligan, Chico Hamilton, Dave Green, Stan Tracey, Peter King, Courtney Pine, Gail Thompson, Brian Lemon, Gerard Presencer, the Red Rodney group and collaborator Jim Keltner. He knew every player, every session, every album, every outfit they wore on the cover, and he spoke about them with a deep and genuine reverence. He may have been a globally loved hero in the biggest band in the word, but he swatted away any compliment or comparison with his musical favourites. He counted himself their admirer, never their equal. The Anthology includes an extended essay by Paul Sexton which documents Charlie Watt’s jazz career and the essential albums covered in the collection.