Kiselev's Geometry Book Ii. Stereometry

Shafarevich's Basic Algebraic Geometry has been a classic and universally used introduction to the subject since its first appearance over 40 years ago. As the translator writes in a prefatory note, ``For all [advanced undergraduate and beginning graduate] students, and for the many specialists in other branches of math who need a liberal education in algebraic geometry, Shafarevich’s book is a must.''

The American pianist Tzimon Barto offers up his own vision of Bach’s Well-Tempered Clavier: forty-eight preludes and fugues rising through all the keys and resounding from the inside with their counterpoint, full of nuance and poetry.

There are no songs for Prelude and Fugue No. 15, Bwv 884: Prelude (the Well-tempered Clavier, Book Ii) by Tzimon Barto. You can click here to post the lyrics to this song.

Das Wohltemperirte Clavier, a collection of preludes and fugues in all major and minor keys completed by Johann Sebastian Bach in 1722, was clearly modelled along the lines of Ariadne Musica by Johann Caspar Ferdinand Fischer (1662-1746, Kapellmeister in Baden from 1715 to 1746) an organ music anthology published for the first time in 1702 and probably known by Bach in its second 1715 edition. Bach took Fischer's original layout of 20 keys and expanded it to a total of 24, thereby creating the first self-contained collection of music written for the entire corpus of existing keys.

Two years after releasing her CD dedicated to Book I of J.S. Bach’s Well-Tempered Clavier, Céline Frisch now presents the second volume of this musical landmark. Bach compiled Book II in 1744, twenty-two years after Book I. It took until 1801 for both volumes to be printed: from then until the present day they have inspired countless composers. After a series of recordings with the Ensemble Zimmermann she helped to found, Céline Frisch returns to the harpsichord recital, for a programme of this, her very favourite music. Through these preludes and fugues, she reminds us that far from being technical exercises, the Well-Tempered Clavier is a work of pure pleasure and constant renewed discovery. As Robert Schumann declared: ‘You should frequently play the fugues of the great masters, particularly those of J.S. Bach. Make the Well-Tempered Clavier your daily bread.’

Two years after releasing her CD dedicated to Book I of J.S. Bach’s Well-Tempered Clavier, Céline Frisch now presents the second volume of this musical landmark. Bach compiled Book II in 1744, twenty-two years after Book I. It took until 1801 for both volumes to be printed: from then until the present day they have inspired countless composers.