"By Popular Demand" is a CD of live performances by Ron Boots, Eric van der Heijden and friends. The friends are Gerald Vos, Harold van der Heijden, Ad van Gerwen, Bas Broekhuis, Ingrid Lohuis and Klaus Hoffman Hoock. Some of the selections feature Ron's penchant for live synth trios, others feature synth duets and percussion. The highlight is the cosmic and ethereal "Through Mental Doors." That piece features narration by Louise, Harold's masterful drumming, a synth trio of Ron, Eric and Ad and Ad and Ron on didjeridu! It is one of the wildest outer space rides imaginable! The massive soundscape is carried by some wild sci-fi manipulations and some overblown sequences. Ron's didg drone sets it up and a synth drone takes it home. The whole album sparkles with energy and giddy zeal.
Current was an important album for the Dutchman. It came as a follow-up of some rather successful albums and can perhaps be regarded as a "warm-up" for his brilliant album Tainted Bare Skin from 1998. Now, again ten years later, "Current" has been carefully remastered by Ron and re-released on the Groove Unlimited label.
Current is a solo-album in the true sense of the word. Where on many other albums Ron is accompanied by guest-musicians, he works alone on "Current". The only exception are the drums on "Close Call" which are played by Harold van der Heijden. Two things play an important part on "Current". First of all, the sequences; they are beautifully crafted and long-stretched…
Shortly after the excellent album “La Caída De Harmigón”, Ron Boots releases “Ante Oculos”. Ante Oculos is an expression from art. The biggest part of this album contains the music that “Big Ron” and his friends Eric van der Heijden (synthesizers), Harold van der Heijden (drums), Frank Dorittke (FD Project, guitar) and (new friend) Jamie O’Callaghan (electric violin and synthesizers) played at a concert in the planetarium of the German city Bochum. This music is somewhat more “spacey” than we are accustomed of by Ron. The theme of the album is 2012, the year we are living in and the year in which (according the Mayans and Nostradamus) the end of the world will come.
With “Ante Oculos” Ron proves that is also very well at home in spacemusic. The album asks for more concerts in a special place like a planetarium. Ron remains the best and most important electronic musician from the Netherlands.
”La Caída De Harmigón” draws upon inspiration Ron got from Ruins, which he calls “windows into histories”. It is a pure soloalbum by Ron. Only Harold van der Heijden gave him “drum support”.
Ron musically expresses the “windows into histories” in three long epic pieces. The album opens with the titletrack, which, in English, means “The Fall Of Concrete”. From the first moments, we hear music that is so typically for Boots: effective and great sequences that get richer and richer, fantastic atmospheric sounds and cleverly played solos. As we are accustomed from Ron, there is a certain line in his compositions: it is built up beautiful. Drums come and go and Mellotronchoirs fall in. A masterpiece…
"From The Forgotten Rooms Of A Lonely House" is a limited edition album of only 400 copies, offered as a free gift to visitors of the concerts held on December 30, 2011 and January 8th, 2012. The first three tracks on this album are live-pieces by the quartet MorPheuSz (Eric, Frank, Harold and Ron).
Compared too the mellow "Garden Gomblins…" album, the band here plays more dynamic and melodic/progessive music, including glowing versions of "Another Timeroom" and "Da Capo".
The other four tracks are solo creations by Ron Boots created in his own studio, kicking off with the beautiful, slightly dark space music of "Lost Stars"…
This is one of the first albums written by Ron Boots, the famous electronic composer from the Netherlands. It was first released in cassette format (in 1987) and in 2000 it was re-issued in CD format by Ron's Groove Unlimited record company. This is a set of ominous sci-fi space music. The music has a experimental feel with sinister synth washes and drones.