Klänningen The Dress (1964) Vilgot Sjöman, Gunn Wållgren, Gunnar Björnstrand, Tina Hedström, Drama

The sole Applejacks LP is highlighted by "Tell Me When," and hindered by quaintness and a lack of strong tunes (only one of which was a group original), limiting its worth to British Invasion obsessives for the most part. "No Time," one of several songs co-written by future Honeybus main man Pete Dello, is about the best song, with its moody melody; at their most energetic (as on "See If She Cares") they sound a bit like Gerry & the Pacemakers. The covers of '50s rock classics such as "Kansas City," "What'd I Say," and "Too Much Monkey Business" are dire, and their second single (and most well-known recording), the cover of Lennon-McCartney's "Like Dreamers Do," is not present…

This box set is the ultimate pop collection, 43 albums featuring many of the biggest hits performed on the legendary pop music chart BBC TV programme Top of the Pops, which ran for a record shattering 42 years from January 1964 to July 2006! The show totalled an amazing 2205 episodes and at its peak attracted 15 million viewers per week! This complete set features a total of 875 tracks, including over 600 top ten hits and over 150 number one's!

Contemporaries of the Beatles, along with other Liverpudlian rockers like Gerry & the Pacemakers and Rory Storm & the Hurricanes, the Remo Four were lost to the darkest corners of Merseybeat history, with only See for Miles' 1992 compilation The Best of Tommy Quickly, Johnny Sandon, Gregory Phillips & the Remo Four – a disc featuring singers the group backed, along with a handful of their tracks – being the only reissue to surface until Bear Family's 2010 Smile!, Peter Gunn…And More. Only one of the songs on that 1992 disc – a cover of “Peter Gunn” – is on this 2010 CD, which contains the entirety of their 1967 LP Smile!, released only in Germany, and singles surrounding the album.

The group is still called Blues Incorporated, but without Cyril Davies or Long John Baldry, who were present on the first record. Recording at Liverpool's Cavern Club was more a gimmick than anything else, and the music is not as well made or exciting as the group's first album. This record shows Alexis Korner's more big-band type blues work, favoring horns. At the Cavern was a good album, but not one that was going to make much noise amid the work of the Rolling Stones, the Animals, or the Yardbirds. Originally released in 1964, At the Cavern was reissued on CD in 2006 and includes bonus tracks.