Klander Anderson Goodbye

Two years after Thick as a Brick 2, an explicit 2012 sequel to the 1972 prog classic, Ian Anderson embarked on another ambitious journey, this time assembling a concept record called Homo Erraticus. A loose – very loose – album based on a "dusty, unpublished manuscript, written by local amateur historian Ernest T. Parritt (1873-1928)," Homo Erraticus is an old-fashioned prog record: it has narrative heft and ideas tied to the '70s, where jazz, classical, folk, orchestral pop, and rock all commingled in a thick, murky soup…

Recorded live on the final night of the 1989 Anderson/Bruford/Wakeman/Howe tour, this two-CD set offers both oldies and improvements upon their new material. You'll probably find yourself listening only to the second CD, as the first CD largely consists of shaky solo medleys. Howe fares the best with delicate renditions of "Mood for a Day" and "The Clap." Anderson's guitar and vocal turn comes off like a coffeehouse gig - not bad, especially when he samples "Teakbois," but not riveting. Wakeman's "Merlin" and "Catherine Parr" solo trades speed for precision, and the crowd is unaccountably thrilled when he wrenches unimpressive blow-bottle sounds out of a keyboard. Bruford blows his solo yet again, just as in Yessongs; infatuated with electronic percussion, he produces a grating assortment of clanks and conks…

File under "Yes." When this version of the band couldn't obtain rights to the name, they put their album out under their combined names, but it's still Yes by any other name. Jon Anderson's tenor wails through spacy lyrics, Rick Wakeman constructs cathedrals of synthesized sound, Steve Howe rips high-pitched guitar leads, and Bill Bruford makes his drums sound like timpani. For all that, it's a pedestrian effort for these veterans, not as bombastic as some of their stuff, not as inspired as others, but it definitely has the "Yes" sound. "She Gives Me Love" even refers to "Long Distance Runaround."

The collection of sixteen songs shares its name with the current exhibition at the Country Music Hall of Fame, Bill Anderson: As Far As I Can See, and comes from the opening line of one of the first songs he ever wrote, “City Lights,” the country classic that was a hit for Ray Price in 1958 In addition to such beloved songs as “City Lights,” “Still,” Po’ Folks,” The Tip Of My Fingers,” and “Sometimes,” the album features a new song with country icon Dolly Parton, “Someday It’ll All Make Sense.” The newly recorded duet is joined by Anderson and Parton’s first-ever collaboration, an incredibly rare demo of “If It Is All The Same To You,” recorded in 1964 and eventually released as a duet with Jan Howard on Anderson’s chart-topping 1969 album of the same name. As Far As I Can See: The Best Of, is being released by MCA Nashville/UMe, which has been Anderson’s label home for most of his seven-decade long career.