The Aeolus issue of Bob van Asperen's Krieg und Frieden (War and Peace) is a rather unusual survey in several ways. The central theme of this is tied to the two major conflicts in continental Europe in the sixteenth and seventeenth centuries, the 80 Years War and the 30 Years War, both of which were ultimately resolved by the Westphalian Peace Accord of 1648. Generally when we think of the so-called battle pieces of olden times it brings up memories of music that is rather arcane and none too challenging – thundering, repeated major triads with a rolling tremolo in the bass.
The Aeolus issue of Bob van Asperen's Krieg und Frieden (War and Peace) is a rather unusual survey in several ways. The central theme of this is tied to the two major conflicts in continental Europe in the sixteenth and seventeenth centuries, the 80 Years War and the 30 Years War, both of which were ultimately resolved by the Westphalian Peace Accord of 1648. Generally when we think of the so-called battle pieces of olden times it brings up memories of music that is rather arcane and none too challenging – thundering, repeated major triads with a rolling tremolo in the bass.
The Aeolus issue of Bob van Asperen's Krieg und Frieden (War and Peace) is a rather unusual survey in several ways. The central theme of this is tied to the two major conflicts in continental Europe in the sixteenth and seventeenth centuries, the 80 Years War and the 30 Years War, both of which were ultimately resolved by the Westphalian Peace Accord of 1648. Generally when we think of the so-called battle pieces of olden times it brings up memories of music that is rather arcane and none too challenging – thundering, repeated major triads with a rolling tremolo in the bass.