Se è vero che la musica di questo CD è nata per accompagnare due film (Il più crudele dei giorni e L'isola), è altrettanto vero che Paolo Fresu non 'subisce' tale condizione, assemblando i brani in maniera tale da dar vita ad un lavoro unitario, dalla forte identità e tale da sintetizzare varie fasi della sua ormai già lunga carriera.
Polish violinist Adam Bałdych is a unique virtuoso of his instrument in jazz. However, he puts his virtuosity entirely at the service of the music - with a cultivated tone, a strong sense for sound and space and a talent for haunting melodies. All qualities that link him to the Sardinian trumpeter Paolo Fresu, one of Italy's most successful jazz musicians, who becomes Bałdych's musical partner in lyrical musical conversations on "Poetry".
Sardinian-born trumpeter Paolo Fresu and bandoneonist Daniele di Bonaventura from Fermo, Italy, indicated the depth of their musical understanding on 2010’s Mistico Mediterraneo, a collaboration with Corsican singers A Filetta. Left to their own resources they explore a very broad range of material which includes original ballads by both men, improvisations, a Puccini theme from La Boheme, liturgical music, pieces by legendary Chilean songwriter Victor Jara and Uruguayan singer-songwriter Jaime Roos, music of Neapolitan composer Ernesto de Curtis, “O que sera” by Brazil’s Chico Buarque and more. Daniele Di Bonaventura has spent much of his creative life bringing aspects of jazz and music of South American traditions together, and Paolo Fresu is one of the outstanding lyrical voices of contemporary improvising…
"Tango Macondo" has born from a theatrical performance that merges words and sounds,
tangos and popular music, archaic rites and dreamlike contemporaneity. A journey "on the borders between delirium and geography" that from Sardinia, thanks to the surreal writing of Salvatore Niffoi, comes to cross Macondo, the imaginary country born from the oneiric and mythical universe of Gabriel García Márquez with its wealth of visions and wonders.
All four members of the collective calling itself Palatino have often carved out niches that place them just outside popular currents, and this one is no exception. There is a gentle though propulsive quality to the pianoless quartet that relies on the unusual instrumentation of trombone, trumpet, bass, and drums. All the tunes are originals by each of these seasoned bandmembers, except Tadd Dameron's "On a Misty Night." This is the sort of fare that grows on you, the kind that requires close attention to appreciate its nuances. The short lengths of the tunes prevent any meandering, though there is a sameness to some of the pieces as a result of the limited instrumentation. The two horns, trombonist Glenn Ferris and trumpeter Paolo Fresu, are stylistically similar, each offering understated and clearly articulated improvisations – clean, sparse, and economical.
Paolo Fresu's Songlines/Night & Blue is a beautiful performance by a musician who does not feel compelled to prove himself with pyrotechnics. Instead, on this two-disc set, the Italian trumpeter prefers speaking his piece with lush melodies and a rich full horn sound, supported by an exceptional quartet. Being an Italian album, it seems appropriate to use a few musical terms. The entire affair, around 140 minutes in length, is taken sostenuto (smoothly), with a pace that slides between adagio (slowly) and andante (walking), but never goes much faster than that. But this down-tempo consistency should not be confused with sloth. Everything here is tightly played, with some real intensity from the musicians; it's just not going to wake the neighbors with frenetic thunder.
Fresu was born in Berchidda, Sardinia. He picked up the trumpet at the age of 11, and played in the band Bernardo de Muro in his home town Berchidda. Fresu graduated from the Conservatory of Cagliari in 1984, in trumpet studies under Enzo Morandini, and attended the University of Musical and performing arts in Bologna. Fresu has taught at the Siena Jazz National Seminars, as well as jazz university courses in Terni, and is the director of Nuoro Jazz Seminars in Nuoro, Italy. Fresu composes music for theatre, poem, dance, radio, television, and film.
"Brass Bang" is the musical formula implying insanely talented musicians, humor and creativity. This album captures the mind of wind instruments. This album gathers eclectic composers such as Rolling Stones, Haendel, Jimi Hendrix, Duke Ellington and compositions of their own.
Trumpeter Paolo Fresu is ubiquitous on both the Italian and international jazz scenes. Unlike many of his countrymen, Fresu doesn't dabble; he's a fully committed jazzer, so it's not a surprise that this set is in the contemporary creative jazz vein. But to call it stodgy or old fashioned would be to miss the point; this is some of the most forward-looking ensemble composing and playing that the Italians have come up with – and it beats the hell out of a lot of stuff on this side of the Atlantic, and even gives the Dutch semi-big bands a run for their money. Fresu's front line consists of himself, Gianluigi Trovesi on bass clarinet and alto, Tino Tracanna on soprano and tenor, Roberto Cipelli on piano, Attilo Zanchi on bass, and Ettore Firoavanti on skins.