During the mid-'70s, Germany's Kraftwerk established the sonic blueprint followed by an extraordinary number of artists in the decades to come. From the British new romantic movement to hip-hop to techno, the group's self-described "robot pop" – hypnotically minimal, obliquely rhythmic music performed solely via electronic means – resonates in virtually every new development to impact the contemporary pop scene of the late- 20th century, and as pioneers of the electronic music form, their enduring influence cannot be overstated…
Released to coincide with Kraftwerk's forthcoming June 2017 tour - their first UK dates since the breathtaking shows witnessed at the Tate Modern in 2013 - Atlantic Records is proud to announce the release of Kraftwerk 3-D: The Catalogue on May 26th. This is the ground-breaking 3-D Kraftwerk concert brought thrillingly to life developed using high definition 3-D with Dolby Atmos surround sound and presented to the technological and audio standards one would associate and indeed come to expect from the pioneering Germans led by founder Ralf Hütter…
After finally releasing a new track, commissioned by Expo 2000 in Hanover, Germany, Kraftwerk proceeded to open it up to a whole new set of remixers. Featuring four remixes by Detroit's influential Underground Resistance, one from British electronic musicians Orbital, one from seminal DJ/producer François Kevorkian, and several from Kraftwerk themselves, this ten-track CD shows what Kraftwerk can sound like in the modern world. Considering that Kraftwerk is often quoted as a major influence on Detroit techno, its unsurprising that the remixes by the Underground Resistance far surpass either of the other two mixes. Revamping the songs in a "Kraftwerk living in Detroit" sort of way, UR pay homage to one of the forefathers of their art. Fortunately, none of the mixes mimics another, a relatively difficult feat when working with material as sparse as a Kraftwerk song. All of the remixes are worthwhile additions to the vast canon of Kraftwerk material.
Computer World is the eighth studio album by German electronic music band Kraftwerk, released in May 1981. The album deals with the themes of the rise of computers within society. Critics see this album as a peak in the career of Kraftwerk, along with Autobahn and Trans-Europe Express. The compositions are credited to Ralf Hutter, Florian Schneider, and Karl Bartos. The sound of the album is more reliant on purely electronics and vocals. As was the case with the two previous albums, Computer World was released both as German and English language editions.
Parlophone are releasing Kraftwerk: 3-D The Catalogue, an audio/video document – available in a number of physical editions – that features all eight albums as performed live in the leading museums of the world in the last few years…
Johann Strauss Junior’s second operetta, Der Carneval in Rom, premiered in 1873 only one year before Die Fledermaus, and while the music is enjoyable enough, with several nice tunes, there is little in the score to presage the gorilla blockbuster soon to come. For one thing, Strauss wrote the music in the more romantic style of light opera because the work was originally scheduled to be mounted at the Vienna court opera, a place of more serious mien than the Theater an der Wien, then the home of the comic-oriented Viennese operetta.
After Paris and New York (more precisely Broadway), the last part of his travel trilogy Götz Alsmann leads to Rome. In his endeavor to successfully breathe new life into the jazz hit, Götzi has dedicated himself this time to Italian songs. In addition to well-known and less well-known Italian hits like Paolo Contes "Azzurro" (famous in the version of Adriano Celentano), "Nel blu di pinto di blu (Volare)" or "Ciao ciao bambina", which he has eloquently translated into German as usual , with "Caprifischer" but also a German song from the 50s, which reflects the Germans' Italian feeling at the time, and the American classic "Mambo Italiano" by Rosemary Clooney. A total of 18 songs found their way on "In Rom".