Kraj Bez Wyjścia

War correspondent Lopatin takes a 20-day-leave from his hard work at the front in 1942. He travels to faraway Tashkent to meet the family of the killed soldier and visit the film set of the screen adaptation of his war-time stories. Lopatin also manages to walk the streets of Tashkent, take part in a factory workers' meeting and have a short-lived love affair. Although with no bombings and fighting, the city dwellers breathe the atmosphere of the ongoing war.

A fluctuating musical form, bordering on improvisation, sometimes freely compiled, the fantasy is also something between imagination and image, an eminently romantic fantasy world that offers itself to us in all its richness.