Kraus' last and greatest works, the Symphonie funebre and Funeral Cantata for Gustav III, are fully able to stand with the best works in the forms of the period, as great as the late symphonies of Haydn and Mozart and, yes, even as great as the Requiem of Mozart. Written under the overwhelming personal and national tragedy of the assassination of the King of Sweden then at the peak of its cultural and national greatness, Kraus' funeral music is numb with shock and wild with grief, but always completely controlled, masterfully balanced, and profoundly moving. If there are only two works you ever listen to by Kraus, let them be these two works.
One genius hides another. Behind Mozart, Haydn and Beethoven were many talented composers who contributed to the development of the classical style, but who are still little known. Generation Mozart brings back into the limelight these forgotten masters. They dedicate their first volume to Joseph Martin Kraus. Mozart's exact contemporary, he was the first architect of the Swedish musical school, which earned him the nickname"Swedish Mozart". Génération Mozart and it's conductor Pejman Memarzadeh join forces with soprano Marie Perbost to put him in his rightful place, through an album mixing opera, arias and orchestral pieces.
Joseph Martin Kraus was born on 20 June 1756 in the German town of Miltenberg am Main, and died in Stockholm on 15 December 1792. Attended secondary school in Mannheim from 1768 to 1772, followed by university studies in Mainz, Erfurt and Göttingen from 1773−76. In 1778 he travelled to Stockholm, where he became a member of the Royal Swedish Academy of Music in 1780, and a year later the second conductor of the Royal Court Orchestra at the Royal Opera. In 1782 Gustav III dispatched him on a four-year tour of Europe. In 1788 he was made director of the educational institution of the Royal Swedish Academy of Music and chief conductor of the Royal Court Orchestra. Kraus is the most prominent figure in Gustavian music and was responsible for seminal works of opera, orchestral music and chamber music.
1792 fell the Swedish king Gustav III. an assassination attempt. He was shot during a masked ball in the Stockholm Opera House. The Swedish court Kapellmeister Joseph Martin Kraus (1756-1792) was commissioned after Gustav's death to prepare the funeral music now needed. The former hand secretary Carl Gustav Leopold (1756-1829) was commissioned by the Swedish Academy to write the text for the funeral cantata. Only three weeks left Kraus time to complete the cantata. But first a funeral symphony had to be composed for the recording.