Lefty Dizz had a great reputation amongst those in the know but had rarely left Chicago. So, when a UK tour was planned, a proven formula was used: get the record made in Chicago, use it to secure tour dates, then use the tour to promote the album. So this wonderful record was made - Blues of great depth and passion - raw and powerful. And Carey Bell and his sons were on hand to supply the tightest of support.
The finest compilation of Roy Wood's work to date, drawing on his closing years with The Move, his sole album with Electric Light Orchestra, the biggest hits of Wizzard, and Wood's official solo albums and singles.
Willpower was really designed to be Jack Bruce's Crossroads – it followed Clapton's monumental box by a year, had similar artwork, a similar approach that blended selections from throughout his various projects, and the same remastering/production team. Thing is, Bruce didn't have the commercial success of Clapton, nor did he have the same sizable following (although his fans were indeed devoted), and critics just sorta gave up paying attention around 1970, so there wasn't much of an audience for Willpower upon its release in 1989. Nevertheless, it's a pretty terrific summary of Bruce's career, never staying too long in one particular period (even the selections from Cream lack such heavy hitters as "Sunshine of Your Love" or "I Feel Free"), and encapsulating how unpredictable and adventurous Bruce's career has been.
Legendary bassist EDDIE GOMEZ has been on the cutting edge of music for over four decades. The Latin GRAMMY® award-winner’s impressive resume includes performances with jazz giants such as Miles Davis, Dizzy Gillespie, Bill Evans, Gerry Mulligan and Benny Goodman. Eddie’s unique sound and style can be heard on hundreds of recordings spanning the worlds of jazz, classical, Latin jazz, rhythm & blues, popular and contemporary music.