Kuduz (1989)

Jonn Serrie is a composer of space music, a genre of ambient electronic music, and New Age music. He has recorded at least 18 albums and worked on projects for Lucasfilm, IMAX Corporation, NASA, the United States Navy, Hayden Planetarium, Expo Seville, and CNN. Born and raised in Connecticut, Serrie began his musical direction in the 70’s, demonstrating synthesizer technology for Electronic Music Laboratories, a Connecticut based manufacturing and research facility. “I was fortunate to have such an in-depth understanding of synthesis early in the development of electronic music. It enabled me to see the future of the industry from a unique perspective.” Serrie’s list of achievements and contributions is both diverse and esteemed…

Annihilator's brand of technical, thinking man's thrash metal garnered many fans with this fine debut, arguably the best release of the band's career. A brief acoustic guitar piece called "Crystal Ann" introduces the excellent title track: a psychological murder thriller supposedly based on a disturbed young girl's true story. Leader Jeff Waters takes himself a little too seriously at times (see the Edgar Allan Poe-influenced "Ligeia" and his ridiculously erudite commentary on each song's lyrics), but he is equally prone to refreshing flashes of humor on "Word Salad" and "Schizos Are Never Alone." The spectacularly named Randy Rampage proves himself to be a versatile vocalist on "Wicked Mystic" and "Burns Like a Buzzsaw Blade" (seriously). The careening closer "Human Insecticide" is magnificent for its sheer speed.

Featuring original Renaissance members Jane Relf (Vocals), Jim Mccarty (Vocals, Guitar, Percussion), John Hawken (Keyboards) and Louis Cennamo (Bass), Illusion came together in 1976 following the death of original Renaissance vocalist Keith Relf (originally vocalist with The Yardbirds). Recruiting Lead Guitarist John Knightsbridge and drummer and percussionist Eddie Mcneil, the band assumed the name of Illusion (taken from the title of the second Renaissance album) and signed to Island Records.
"Enchanted Caress" was to be Illusion's 3rd album which unfortunately never saw the light of day until after the band split up. Musically "Enchanted Caress" illustrates an allusion to that of Renaissance and The Beatles… classical but yet poppy. Vocals are shared between Jim McCarty and the beautiful voice of Jane Relf.

Annihilator's brand of technical, thinking man's thrash metal garnered many fans with this fine debut, arguably the best release of the band's career. A brief acoustic guitar piece called "Crystal Ann" introduces the excellent title track: a psychological murder thriller supposedly based on a disturbed young girl's true story. Leader Jeff Waters takes himself a little too seriously at times (see the Edgar Allan Poe-influenced "Ligeia" and his ridiculously erudite commentary on each song's lyrics), but he is equally prone to refreshing flashes of humor on "Word Salad" and "Schizos Are Never Alone." The spectacularly named Randy Rampage proves himself to be a versatile vocalist on "Wicked Mystic" and "Burns Like a Buzzsaw Blade" (seriously). The careening closer "Human Insecticide" is magnificent for its sheer speed.

Willpower was really designed to be Jack Bruce's Crossroads – it followed Clapton's monumental box by a year, had similar artwork, a similar approach that blended selections from throughout his various projects, and the same remastering/production team. Thing is, Bruce didn't have the commercial success of Clapton, nor did he have the same sizable following (although his fans were indeed devoted), and critics just sorta gave up paying attention around 1970, so there wasn't much of an audience for Willpower upon its release in 1989. Nevertheless, it's a pretty terrific summary of Bruce's career, never staying too long in one particular period (even the selections from Cream lack such heavy hitters as "Sunshine of Your Love" or "I Feel Free"), and encapsulating how unpredictable and adventurous Bruce's career has been.

Legendary bassist EDDIE GOMEZ has been on the cutting edge of music for over four decades. The Latin GRAMMY® award-winner’s impressive resume includes performances with jazz giants such as Miles Davis, Dizzy Gillespie, Bill Evans, Gerry Mulligan and Benny Goodman. Eddie’s unique sound and style can be heard on hundreds of recordings spanning the worlds of jazz, classical, Latin jazz, rhythm & blues, popular and contemporary music.

Tout Jean-Louis Murat est là, dans ce disque qui a marqué la fin d'une longue traversée du désert (ou dans son cas des volcans d'Auvergne). Après trois albums rapidement tombés dans l'oubli et un semi-succès avec le single "Suicidez- vous, le peuple est mort", Murat a disparu pendant plusieurs années pour peaufiner un grand retour. Et c'est bien de ça qu'il s'agit : un classique, l'inauguration d'un nouveau style, celui d'un chanteur de charme, à la voix chaude, qui a assimilé l'exigence littéraire de Manset, les innovations techniques de la new wave, l'élégance distante d'un Bryan Ferry, la langueur bizarre d'un Robert Wyatt et quelques influences latines.