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A TRIPLE-CD of radio broadcast live recordings of Minneapolis' finest. Two of the discs feature Hüsker Dü live action, taped at a 1981 show in Portland and in Minneapolis 1985. Disc #3 features a fine 1989 performance, given by singer-guitarist Bob Mould (after the band split up) at a radio station in Germany.

That globetrotting composer Camille Saint-Saëns wrote La Princesse jaune in 1872, exemplifying the current craze for all things Japanese. Kornélis, played by the tenor Mathias Vidal, dreams only of the Land of the Rising Sun. Under the influence of a hallucinogenic potion, he becomes infatuated with Ming, a fantasy princess. His cousin Léna – the soprano Judith van Wanroij – despairs of this passion and does not dare to confess her own feelings to Kornélis, who eventually comes to his senses. The running time of this opera enables us to offer a coupling in the shape of a previously unrecorded version of Saint-Saëns’s six Mélodies persanes, thus extending the guiding thread of a yearning for exotic horizons in another direction. Leo Hussain conducts the Orchestre National du Capitole de Toulouse in both works.

André-Ernest-Modeste Grétry’s three-act opera Guillaume Tell was first performed in 1791 at the Salle Favart of the Comédie-Italienne in Paris. The opera deals with the Swiss fight for freedom in the 14th century against the domination of the Habsburgs. The story of Wilhelm Tell is well-known.

The OPL and Gustavo Gimeno continue their acclaimed PENTATONE series of composer portraits with a monograph of a living composer, Francisco Coll. In Coll’s music, the past and present converge in a single space, by realising a contemporary sound world while creatively employing traditional forms and influences, be it a classical genre (Violin Concerto and the “grotesque symphony” Mural) or his musical roots (Four Iberian Miniatures). With pieces composed between 2005 and 2019, the album traces Coll’s spectacular musical development, from his studies under Thomas Adès in London to his present bloom. The lush, sensuous nature of his orchestral writing fully comes to life in these performances. Besides the strong relationship between Coll and conductor Gimeno, this new release also showcases the exceptional violinist Patricia Kopatchinskaja, for whom he has written several works, including his violin concerto, first recorded here.

As a one-of-a kind company, standing at the crossroads between musical, lyrical and theatrical worlds, Les Monts du Reuil specialises in the forgotten treasures of French opera. Here, it offers a distinctively rare program centred around the fables of La Fontaine, which unearthes two comic operas based on the works of the fabulist: Le Magnifique [The Magnificent] by André Grétry and L'Éclipse totale [The Total Eclipse] by Nicolas Dalayrac, which was reconstructed for the occasion, and recorded here for the first time. In their selection of the tastiest excerpts alternating from a small aria to a duet or a horse-racing brass fanfare, the musicians highlight the refinement, lightness and humor typically found in French lyrical art from this era.

Musica Baltica Volume 4 Johann Jeremias Du Grain was on familiar terms with the musical greats of his era. He learned the musical trade from Telemann, who was already famous at the time, and he assisted the very busy Handel with the composition of a festive cantata for the five hundredth anniversary of Elbing, his chosen place of residence. One hears traces of these illustrious surroundings in Du Grain's own cantatas, which Andrzej Szadejko and the Goldberg Baroque Ensemble are now presenting for the first time on this audiophile multichannel release in the Musica Baltica series. Du Grain's cantatas not only represent the very best of their times; they are also extraordinarily appealing.