L'arcangel (1969)

Stand Up was the first album where Anderson controlled the music and lyrics, resulting in a group of diverse songs that ranged from the swirling blues of “A New Day Yesterday” and the mandolin-fueled rave-up of “Fat Man,” to the group’s spirited re-working of Johann Sebastian Bach’s “Bouree in E Minor.” In a recent interview, Anderson picked Stand Up as his favorite Jethro Tull album, “because that was my first album of first really original music. It has a special place in my heart.” The first disc features Steven Wilson’s new stereo mixes of the original album, along with a number of rare recordings, including an unreleased version of “Bouree.” Other highlights include four songs recorded at the BBC, plus stereo single mixes for “Living In The Past” and “Driving Song”…

Heart & Soul is a compilation album by American blues musician Johnny Adams. Released in 1969 by SSS International, the record was produced by Shelby Singleton and contains much of Adams' 1960s output. Heart & Soul largely blends 1960s gospel, soul, pop, blues, country and funk. "Georgia Morning Dew" has been described as "bouncy country-funk" that provides a "giddy, melancholy counterpart to Adams' throaty proclamations." In 2013, Tucson Weekly called Heart & Soul a collection of Adams' finest work, writing, "As a compilation, Heart & Soul is replete with Adams' astonishingly full-bellied soul—searching and salutatory, dramatic and light—fitting comfortably alongside such classics of the form as Songs in the Key of Life, Going to a Go-Go, What's Going On, and Otis Blue."

Conventional wisdom holds that the Beatles intended Abbey Road as a grand farewell, a suspicion seemingly confirmed by the elegiac note Paul McCartney strikes at the conclusion of its closing suite. It’s hard not to interpret “And in the end / the love you take / is equal to the love you make” as a summation not only of Abbey Road but perhaps of the group’s entire career, a lovely final sentiment. The truth is perhaps a bit messier than this. The Beatles had tentative plans to move forward after the September 1969 release of Abbey Road, plans that quickly fell apart at the dawn of the new decade, and while the existence of that goal calls into question the intentionality of the album as a finale, it changes not a thing about what a remarkable goodbye the record is.

The Dillard & Clark duo was Gene Clark’s most artistically successful post-Byrds collaboration, and his best venture into country-rock as well. With Chris Hillman and Bernie Leadon playing behind the duo throughout the first album, in many ways it is as much an offshoot of the Flying Burrito Brothers’ work as it is of the Byrds, with more of the Burritos’ feel. The standard of playing and singing on both albums is extremely high, but the nine songs on The Fantastic Expedition of Dillard & Clark are more impressive, both as recordings and compositions.