L'osservatore Romano

This 1989 recording, once available through the now-defunct, France-based Owl record label, has been brought back from the proverbial ashes by Sunnyside. Venerable modern jazz drummer Aldo Romano and highly regarded saxophonist Joe Lovano go for the gusto throughout these generally upbeat duets. Essentially, it's what many fans of these two important jazz musicians would come to expect. On this release, Lovano perpetuates a surfeit of soul-stirring lines amid plenty of dynamics atop Romano's swarming swing grooves. With pieces such as "Dragons Are" and elsewhere throughout the program, the duo seemingly emulates the hustle and bustle ordinarily heard when artists venture into the free zone. The duo also displays a soft touch in spots, but the bulk of these works primarily consist of high-octane improvisational sequences.

The ensemble Aedes began it's musical journey with Poulenc, under the impetus of conductor Mathieu Romano. Here, at the head of Les Siècles, Romano returns to the unclassifiable composer to record two of his major works. In the pious contemplation of the Litanies, here performed in the manuscript version, and the orchestral luxuriance of the Stabat Mater, spirituality is expressed through music that is lively, sensitive and even, at times, sensuous. Sculpting out every phrase and note, always at the service of the text, the ensemble and Mathieu Romano confirm their affinity with the composer's language. As an interlude Mathieu Romano has included a secular piece, O doulx regard, o parler gratieux, by the Renaissance composer Clément Janequin. The boundaries between earthly love and mystical love are thus abolished in favor of pure emotion.

Originally released in 2004, features Danilo Rea (piano) & Remi Vignolo (bass).
Although born in Italy, Aldo Romano moved to France with his family at a young age. He was already playing guitar and drums professionally in Paris in the '50s when he heard Donald Byrd's group with drummer Arthur Taylor. Since then, he has dedicated himself to the drums and contemporary jazz. In Paris jazz clubs like le Chat Qui Pêche and the Caméléon, Romano has accompanied visiting Americans like Jackie McLean, Bud Powell, Lucky Thompson, J.J. Johnson, and Woody Shaw while also exploring free music with Don Cherry and Gato Barbieri, Frank Wright and Bobby Few, Michel Portal, François Tusques, Jean-Louis Chautemps, and Steve Lacy…

All four members of the collective calling itself Palatino have often carved out niches that place them just outside popular currents, and this one is no exception. There is a gentle though propulsive quality to the pianoless quartet that relies on the unusual instrumentation of trombone, trumpet, bass, and drums. All the tunes are originals by each of these seasoned bandmembers, except Tadd Dameron's "On a Misty Night." This is the sort of fare that grows on you, the kind that requires close attention to appreciate its nuances. The short lengths of the tunes prevent any meandering, though there is a sameness to some of the pieces as a result of the limited instrumentation. The two horns, trombonist Glenn Ferris and trumpeter Paolo Fresu, are stylistically similar, each offering understated and clearly articulated improvisations – clean, sparse, and economical.