L'arma Del Gas

At the latest with the release of the albums "Zauberberg" and "Königsforst", in the mid-1990s, one associates GAS, Wolfgang Voigt's very own artistic cross-linking of the spirit of Romanticism and the forest as an artistic fantasy projection surface, with intoxicatingly blurred boundaries of post-ambient infatuation and the impenetrable thicket of abstract atonality. The distant, iconic straight bass drum marching through highly condensed, abstract sounds taken from classical music by the sampler or modulated accordingly, and the enraptured gaze through pop art glasses into the hypnotic thicket of an imaginary forest, manifested over the years this unique connection of audio and visual, which to understand fully, then as now, would be neither possible nor desirable.

The seeds of Pacific Gas & Electric were sown in Los Angeles back in 1966 when self-taught guitarist Tom Marshall formed Bluesberry Jam, whose ranks included drummer Charlie Allen. Allen turned out to be such a fine vocalist that he ended up becoming the frontman; his drum chair was filled by Adolfo de la Parra in 1968. Later that year, de La Parra left to join Canned Heat, replacing Frank Cook who then joined Bluesberry Jam. After adding guitarist Glenn Schwartz and bassist Brent Block later in 1968, the group changed their name to Pacific Gas & Electric.
Their first album, Get It On, was released by Kent in 1968, but failed to make much of an impact. However, following their appearance at the Miami Pop Festival in late 1968, Pacific Gas & Electric signed with Columbia, who released Pacific Gas & Electric in 1969…